Choral, Madrigals & Partsongs, Schubert (composer)
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The famed King’s Singers attention to pin-point pitching, slick ensemble, and deft balances between the voices are present in abundance. The two Beatles arrangements are particularly successful…The... —
Awards:
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Gramophone Magazine, December 2017, Editor's Choice
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Grammy Awards, 61st Awards (2019), Nominee - Classical Compendium
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A truly memorable experience. The first half of the programme is divided between settings of Mayrhofer and Goethe, two poets who drew the very best out of Schubert. Bostridge responds to this... —
Awards:
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Gramophone Magazine, August 2001, Disc of the Month
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Such Stuff As Dreams Are Made On
King's Singers, Victoria Meteyard (soprano), Grace Davidson (soprano)
This is the last recording The King’s Singers made before the departure of bass Jonathan Howard. It bears all the familiar hallmarks of a well-loved vocal team that has honed its style over... —
Awards:
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BBC Music Magazine, April 2025, Choral & Song Choice
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The range and control of the voice is best heard in Liszt's 'Oh! quand je dors' with an even tone throughout and a perfectly placed long, high note at the end all exquisitely - accompanied on... —
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The Hyperion Schubert Edition - Complete Songs Volume 22
An 1815 Schubertiad (II)
Lorna Anderson (soprano), Catherine Wyn-Rogers (mezzo soprano), Jamie Macdougall (tenor), Simon Keenlyside (baritone), Graham Johnson (piano), Patricia Rozario (soprano), Catherine Denley (alto), John Mark Ainsley (tenor), Michael George (bass)
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Special offer. Fauré: Requiem
Pierre-Olivier Schmitt, Jean-Gabriel Saint-Martin, Isaure Brunner, Chœur de l'Opéra Royal, Orchestre de l'Opéra Royal, Victor Jacob
Presented in the intimately scored 1893 'church' version, this is a well-crafted performance of the Requiem. The Introitus veers close to the wallowing side of portentous, but the rest flows... —
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As soon as Danco starts to sing, her identity is unmistakable, a bright, vibrant voice, impassioned in its delivery, with perfect diction and an intuitive grasp of text. ‘The Decca Recitals’... —
Awards:
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Gramophone Magazine, Awards Issue 2020, Reissue/Archive Issue of the Month
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Special offer. The Choir Project: LALÁ
Alles hat seine Zeit (Everything has its time)
Ilia Vierlinger (soprano), Julia Kaineder (mezzo soprano), Peter Chalupar (tenor), Mathias Kaineder (basso)
LALÁ
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The Stockholm Boys' Choir (Stockholms Gosskör)
Erik Wadman (organ), Erik Wadman (piano)
Stockholm Gosskor, Roland Nilsson
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A Century of Song Vol. 1 (1810-1820)
Malcolm Martineau (piano), Michael Schade (tenor), Sylvia Schwartz (soprano), Lorna Anderson (soprano), Ann Murray (mezzo), Florian Boesch (baritone)
Schade is always an involved, communicative singer, eagerly responsive to mood and verbal detail, and excelling in tenderness and intimacy…the diamond-bright Spanish-English soprano Sylvia Schwartz... —
