Choral, Masses, Rue, P (composer)
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Officium
A hauntingly beautiful combination of medieval unaccompanied choral music and jazz saxophone.
Jan Garbarek (saxophone)
Hilliard Ensemble
no matter how one views so-called crossover...or the relative unwisdom of sticking to rigid musical boundaries, the evidence remains conclusive: ''Officium'' successfully transcends any limitations... —
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Top billing goes to the Requiem, Ockeghem's most widely recorded work, and perhaps his most enigmatic piece, stylistically very wide-ranging and diverse. Aesthetic judgement is hard to pass,... —
Awards:
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Gramophone Awards, 1997, Winner - Early Music
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This third instalment in Capella de la Torre’s series of the four elements is every bit as fresh and thoughtful as one would expect from one of Europe’s leading early wind ensembles...This enjoyable... —
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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Basevi Codex, Music At the Court of Margaret of Austria
Dorothee Mields (performer), Boreas Quartett Bremen
The brilliant Dorothee Mields and the excellent Boreas Quartett Bremen take us on a fascinating musical journey through time and inspire us with their high art of interpretation, with a perfect... —
Awards:
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International Classical Music Awards, 2022, Winner - Early Music
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Special offer. Plorer, Gemir, Crier: Hommage to Johannes Ockeghem
Diabolus in Musica, Antoine Guerber (direction)
This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Superbly recorded, it is a masterclass in outstanding breadth of interpretation, balance and total teamwork … the group’s ‘worker’s co-operative’ ethos continues to reap dividends with, on this... —
Awards:
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Presto Recordings of the Year, Finalist 2014
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showcases some wonderful polyphony, full of vim and contrapuntal delight. Lovely moments and elegant phrasing… —
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The two earliest surviving settings of the Requiem Mass receive beautiful realisations in superb sound: both performances and recording quality are of exemplary clarity. —
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