Choral, Masses, Kerll (composer)
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Vox Luminis’s consummate mastery of polyphonic textures, plangent sonorities and contoured phrasing is profoundly beautiful; the five soloists and five additional ‘ripieno’ singers declaim text... —
Awards:
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Presto Recording of the Week, 12th August 2016
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Gramophone Magazine, November 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Kerll: Missa Non Sine Quare
Elisa Franzetti (soprano), Emanuele Bianchi (countertenor), Mario Cecchetti (tenor) & Sergio Foresti (bass)
La Risonanza, Fabio Bonizzoni (direction)
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a magnificent monster it is… grand in every sense- the criss-crossing chromatic scales in the Amen of both the Gloria and the Credo are especially striking...the singing is fabulous and the... —
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Musik am Münchner Hof
Gerlinde Sämann (soprano), Constanze Backes (soprano), Alan Dornak (alto), Robert Sellier (tenor), Hermann Oswald (tenor), Thomas Hamberger (bass-baritone)
Orpheus Choir Munich, Neue Hofkapelle München, Gerd Guglhör
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Its dominant mood is one of relief rather than anguish...Kerll trained in Rome, and there are echoes of Monteverdi and Carissimi in his motets, some of which are very sensuous. The Johann Rosenmüller... —
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Johann Caspar Kerll: Masses
Dresden Boys Choir, Heinrich Schutz Konservatorium, Dresden, Matthias Jung
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Special offer. Biber & Kerll: Requiem
James Bowman (counter-tenor), Guy De Mey (tenor), Max van Egmond (baritone), Ian Honeyman (tenor), Greta de Reyghere (soprano), Jill Feldman (soprano)
Ricercar Consort, Capella Sancti Michaelis Vocal Ensemble, Erik van Nevel
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