Choral, Masses, Vivanco (composer)
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The most impressive work here is the Mass which is presented within a liturgical framework…in Versus est in luctum De Vivanco even approaches the sublimity of Victoria. However, these pieces... —
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O Virgo Benedicta
Music of Marian Devotion from Spain’s Century of Gold
The Marian Consort: Gwendolen Martin, Emma Walshe (sopranos), Nicholas Scott (tenor), Steffan Jones (baritone), Christopher Borrett (bass) & Rory McCleery (countertenor/director)
The Oxford-based mixed choir makes a bold, bright sound with strong individual voices. —
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Sebastian de Vivanco: In Manus Tuas
Mass, Magnificat & Motets
Orchestra of the Renaissance, Richard Cheetham, Michael Noone
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In these performances the colours pulse with the glow of fire controlled, tended and kept ready rather than with the bright radiance of the heavens. The King's Singers perform with their customary... —
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Canticum Canticorum
Spanish polyphonic settings from the Song of Songs
Orchestra of the Renaissance, Richard Cheetham (director) & Michael Noone (guest conductor)
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Choral Classics from Cambridge
Choir of Clare College Cambridge, Choir of King's College Cambridge, Choir of St John's College Cambridge, Corydon Singers, Timothy Brown, Stephen Cleobury, Christopher Robinson, Matthew Best
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Robust, gritty singing from this all-maole ensemble combines with plangent shawms and sackbutts to produce a rich, strident sound. Vivanco's animated rhythms in a spirited reading of the Mass. —
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$12.50 -
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$17.50
