Chamber, Duos, Violin & Piano Duos, Suk (composer)
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Overall, what leaps out is the sheer quality, consistency and stylishness of Janine Jansen’s playing. She conjures up the mood of each piece with seemingly effortless and flawless technique...Pappano... —
Awards:
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Presto Recording of the Week, 10th September 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Chamber Music
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Bohemian Tales
RecommendedAugustin Hadelich (violin), Charles Owen (piano), Symphonie-Orchester des Bayerischen Rundfunks, Jakub Hruša
How warmly his dolce playing seems to smile… Note, too, the way Hadelich suggests a wiry-sounding folk fiddle in the finale’s D minor interlude… Jakub Hrůša has the Bavarian RSO playing with... —
Awards:
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Gramophone Magazine, August 2020, Editor's Choice
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Grammy Awards, 63rd Awards (2021), Nominee - Best Classical Instrumental Solo
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Opus Klassik, 2021, Instrumentalist of the Year
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Mythes is all heightened sensuality and warmth, its heady atmosphere evoked through playing of extraordinary colour, detail and dexterity. —
Awards:
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Gramophone Magazine, September 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Chamber Music
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These expert transfers by Paul ArdenTaylor feature her intensely poetic and emotionally penetrating 1945 account of the Sibelius Concerto, alongside a series of shorter items recorded the following... —
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Nathan Milstein the U.S. Armed Forces Studio Recordings
Nathan Milstein (violin), Valentin Pavlovsky, Artur Balsam (piano), Joseph Kahn, NBC Symphony Orchestra, RCA Victor Symphony Orchestra, Arthur Fiedler
They’re beautifully played. Milstein’s fingered octaves in the Schubert are pristine, and Poldini’s Dancing Doll in the Kreisler arrangement has real rhythmic buoyancy and flair. —
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Michael Rabin on the Bell Telephone Hour: 1954/62
Michael Rabiin (violin), Bell Telephone Orchestra, Donald Voorhees
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Suk, Martinu, Fiser - Works For Violin and Piano
Daniel Matejča (violin, soloist), Jan Schulmeister (piano, soloist)
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Taken from a variety of sources, some of the older tracks sound less well, but can’t disguise David Oistrakh’s mastery of the long melodic line, impeccable intonation and rhythmic subtlety. —
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Johanna Martzy, Vol. 3
Johanna Martzy (violin), Adolph Hallis (piano), István Hajdu (piano)
Netherlands Radio Orchestra, New York Philharmonic Orchestra, Stuttgart Radio Orchestra, Cleveland Orchestra, Willem van Otterloo, André Cluytens, Hans Müller-Kray, George Szell
The rediscovery of gifted Hungarian Martzy (1924-79) continues apace with this selection of live broadcasts and concerts including sparkling Mozart and a stunning Bartok Rhapsody. —
