Concertos, Beamish (composer)
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Isserlis finds wonderful, darkly smouldering tone and line for Ravel's Two Melodies (originally for soprano voice) and the three Ernest Bloch pieces. He excels, too, in the busier idiom of Prokofiev's... —
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A wonderfully vibrant Schoenberg Verklärte Nacht and, played by Malin Broman, Esa-Pekka Salonen’s engrossing Lachen verlernt for solo violin are the highlights of this well thought-out celebration... —
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Special offer. Sally Beamish - The Seafarer
Tabea Zimmermann (viola)
Swedish Chamber Orchestra, Ola Rudner
From 1998 to 2002 Sally Beamish enjoyed a four-year dual residency with the Swedish and Scottish chamber orchestras. The compositional results included this trio of orchestral works, which are... —
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Raschèr Saxophone Quartet: The Eight Sounds
Stuttgart Chamber Orchestra & Raschèr Saxophone Quartet, Robin Engelen
The performances and recording strike me as excellent, with the quicksilver virtuosity of the Rascher Quartet almost a reward in itself. —
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$17.75 -
Special offer. Sally Beamish - River
Concertos
Philip Dukes (viola), Robert Cohen (cello), Gordon Hunt (oboe)
Swedish Chamber Orchestra, Ola Rudner
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…Tatjana Masurenko… reading of Walton's masterpiece combines impressive technical acumen and no mean interpretative flair. The NDR Radiophilharmonie, too, respond with polish and keen vigour... —
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Spellbound - Flute Concertos
Sharon Bezaly (flute)
Gothenburg Symphony Orchestra, Royal Scottish National Orchestra, Swedish Chamber Orchestra, Mario Venzago, Martyn Brabbins, Anne Manson
…Sharon Bezaly plays - stunningly well… —
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$17.75 -
Special offer. Sally Beamish: Orchestral Works
Anthony Marwood (violin), Sharon Bezaly (flute)
Royal Scottish National Orchestra, Martyn Brabbins
...the First Symphony leaves the strongest impression here...It makes no mean impression in this performance, Martyn Brabbins drawing a committed response from the Royal Scottish National players,... —
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Stories: Works by Betsy Jolas, Sally Beamish and Olga Neuwirth
Håkan Hardenberger performs concertos by three leading women composers
Hardenberger is superb, as always—as is BIS’s SACD sound. All in all, this is a very enjoyable romp through the modern trumpet-and-orchestra repertoire, with enough differences among the three... —