Concertos, Vinci, Leonardo (composer)
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New. From Venice to Buenos Aires
Andrés Gabetta (violin), Gabetta Consort, Mario Stefano Pietrodarchi (accordion), Veronica Cangemi (soprano)
A thrillingly original recording, proving that music can tell a saga of migration, memory and devotion far beyond the reach of words. —
Awards:
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BBC Music Magazine, July 2026, Recording of the Month
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Record Review, 11th July 2026, Record of the Week
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I Viaggi di Faustina
Faustina Bordoni’s journeys to Naples
Roberta Invernizzi (soprano)
I Turchini, Antonio Florio
Invernizzi triumphs in this recording, re-animating Baroque prima donna Faustina Bordoni's legacy with grace and authority. The Italian soprano deftly captures Bordoni's celebrated qualities... —
Awards:
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BBC Music Magazine, June 2013, Disc of the month
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Gramophone Magazine, July 2013, Editor's Choice
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Gramophone Awards, 2014, Finalist - Recital
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The entire disc focuses on the vocal talents of Im, who has a nicely lyrical voice. She is at her best in moments such as the Vinci aria, where her tone blends well with the accompaniment. The... —
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Il castrato del granduca - Arias for Gaetano Berenstadt
Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci
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Charting some unfamiliar territory in the flautino concertos of Sammartini and Montanari or the recorder sonatas of Fiorenza and Piani, Steger’s pure, vocal tone captures the jauntiness and... —
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Gabrieli, Marini, Neri, Vitali, Scarlatti & Vivaldi: Il quartetto d'archi in Italia nel XVII secolo
Quartetto Italiano (string quartet), Nuovo Quartetto Itlaliano (string quartet)
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Extravaganza
Simon Borutzki (recorder), Lea Rahel Bader (cello), Magnus Anderson (lute/baroque guitar), Daniel Trumbull (harpsichord/organ)
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Baroque Twitter
Maurice Steger (recorder), Kammerorchester Basel, Nuria Rial (soprano), Maurice Steger (flute)
Giovanni Antonini
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The Virtuoso Recorder II
Concertos of the Italian Baroque
Michael Schneider (recorder & direction)
Cappella Academica Frankfurt
Despite the largely identical scoring the quality and various features of individual sonatas and concertos guarantee much variety within the programme. —
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