Concertos, Ridout, A (composer)
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Voyage of a sea-god
Laurence Perkins (bassoon), Michael Hancock (piano), Amy Thompson (bassoon), Matthew Kitteringham (bassoon), Catriona McDermid (bassoon), Eira Lynn Jones (harp), Susie Mészáros (viola), Michael Escreet (double bass), Carducci Quartet, City of Birmingham Symphony Orchestra, William Goodchild
It’s an extensive programme, encompassing a variety of styles and forces ranging from bassoon solo to small orchestral ensembles. There are some real treats, such as Bantock’s splendidly imaginative... —
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Poème
The Artistry of Lydia Mordkovitch
Lydia Mordkovitch (violin), with Marina Gusak-Grin (piano), with Marina Gusak-Grin (piano) & Gabriel Woolf (narrator), with Clifford Benson (piano), with Julian Milford (piano)
her distinctiveness of tone is unmistakeable — deep and plummy, as forceful as mellifluous. Wilhelmj’s version of Wagner’s Album Leaf piano solo spurs her to wonders of phrasing. Chausson’s... —
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New. Argerich A-Z: Rachmaninov – Schubert
Martha Argerich (piano), Nelson Freire (piano), Nicolas Economou (piano), Peter Sadlo (percussion), Edgar Guggeis (percussion), Mikhail Pletnev (piano), Lang Lang (piano), Evgeny Kissin (piano), Thomas Quasthoff (bassbaritonevocalist), Elena Bashkirova (speaker), Gidon Kremer (violin, speaker), Alois...
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Mozart in Love
Rachel Tolmie (cor anglais/oboe), Amanda Muir (flute)
The Bourbaki Ensemble, David Angell
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Eclogue - British Chamber Music
Michael Stowe, Peter Fisher (director), Margaret Fingerhut, Gabriella Dall'Olio, Judith Hall, Peter Cigleris, Gabriella Dall'Ollio, Chamber Ensemble of London
None of the music is indispensable, yet this well-performed disc will please devotees of British music. —
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Martha Argerich: The Complete Philips Recordings
The Collection Volume 4
Martha Argerich (piano), with Mischa Maisky (cello), Nelson Freire (piano), Gidon Kremer (violin & speaker), Isabelle van Keulen (violin), Tabea Zimmermann (viola), Georg Hörtnagel (double bass), Irena Grafenauer (flute), Eduard Brunner (clarinet), Markus Streckeler (xylophone) & Edith Salmen-Weber...
[the Tchaikovsky is] truly extraordinary; it's worth it for that alone —
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