Instrumental, Piano Solos, Bartók (composer)
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It is the flavour of this Concerto for Orchestra that wins the day. Just sample the subtle portamento that spices the string line at bars 52-3 (2'36'') of the first movement, and the sombre... —
Awards:
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Gramophone Magazine, December 2005, Editor's Choice
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Building A Library, January 2022, Recommended Recording
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New. Ann Schein: the Complete Kapp Recordings 1958-1960
Ann Schein, Vienna State Opera Orchestra, Eugene Goossens
They are something of a holy grail among devoted pianophiles...Were there still a category for historic recordings, this would be a shoo-in for a Gramophone Award. —
Awards:
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Gramophone Magazine, July 2026, Reissue/Archive Issue of the Month
Purchase product
3 CDs
$22.75 -
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Throughout, the playing is thoughtful and full of poetry, recorded in intimate sound. There’s an elusive quality to this multifaceted programme, for sure, but on balance it repays attentive... —
Awards:
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Presto Recordings of the Year, Finalist 2022
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Opus Klassik Awards, 2023, Winner - Instrumentalist of the Year
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Intimate and poetic, this pianism which delicately suggests rather than making statements. A lovely hour and a quarter. —
Awards:
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Gramophone Awards, 2017, Shortlisted - Instrumental
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From the very spare opening piece [of the Bartók] onwards, Anderszewski adopts quite deliberate tempos, but still finds the nervous, spiky energy required for example in No. 2 (one of Bartók’s... —
Awards:
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Gramophone Magazine, February 2024, Editor's Choice
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Gramophone Awards, 2024 Shortlist, Finalist - Piano
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Presto Recordings of the Year, Finalists 2024
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What impresses above all in this recording is the deep inwardness of the playing. This is not one single performance; it's the distillation of a lifetime's performances of these seminal works.... —
Awards:
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BBC Music Magazine, March 2026, Recording of the Month
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Bartók: Sonata for two pianos and percussion
& other piano music
Cédric Tiberghien (piano), with François-Frédéric Guy (piano), Colin Currie (percussion), Sam Walton (percussion)
Tiberghien meets all the technical challenges in these pieces with seeming effortlessness. His touch is pellucid, and he knows ho to bring out the charm of Bartók’s arrangements; every grace... —
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Possessing an instinctive feel for impressionism, and for the ebb and flow of those rhythms with their little hesitations and sudden rushes forward, Cédric Tiberghien is ideally fitted for this... —
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Panache is Kantorow’s strength throughout the program, but it is combined with probing emotional maturity, which is rare. I doubt that any prediction will come true for him other than the prediction... —
Awards:
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Presto Recording of the Week, 16th October 2020
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Gramophone Magazine, November 2020, Editor's Choice
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As she navigates through this widely varied repertoire, she reveals her virtues clearly...if you're interested in a preview of the next pianistic generation, you'll want to hear this release. —
