Orchestral, Overtures, Alwyn (composer)
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Special offer. Alwyn: Piano Concertos Nos. 1 & 2
Peter Donohoe (piano)
Bournemouth Symphony Orchestra, James Judd
Alwyn (whose centenary year fell in 2005) is a composer of strong communicative gifts and the best of his music exhibits a disarming emotional candour, generous lyricism, powerful sense of argument... —
Awards:
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Gramophone Magazine, September 2005, Editor's Choice
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Special offer. Alwyn: Concerti Grossi Nos. 2 and 3
Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones
the music is just a delight to listen to: not just as a pleasurable background noise, but for the way it entertains while elegantly dodging the predictable at every turn...The performances are... —
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Special offer. Alwyn - Orchestral Music
Philip Dukes (viola), Rachael Pankhurst (cor anglais)
Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones
Each of these performances matches the mint-condition precision of the music itself, with Philip Dukes a memorable soloist in the Pastoral Fantasia. —
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Special offer. Alwyn - Elizabethan Dances (1956-7)
Jonathan Small (oboe) & Eleanor Hudson (harp)
Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones
Choosing between this Oboe Concerto and the sumptuous Nicholas Daniel/Richard Hickox version on Chandos is hard, but David Lloyd-Jones and Jonathan Small bring a degree of more nervous intensity... —
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Alwyn: Piano Concertos Nos. 1 & 2, etc.
Howard Shelley (piano)
London Symphony Orchestra, Richard Hickox
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John Wilson conducts Vaughan Williams, Alwyn, Bowen & Parry
Recorded: The Colosseum, Town Hall, Watford, 12-14 July 2009
Micaela Haslam (soprano), Roderick Elms (organ)
BBC Concert Orchestra, The London Chorus, John Wilson
Here's a fascinating haul of long-buried British rarities, all performed with exemplary dedication...under John Wilson's clear-headed lead and afforded gloriously ripe, airy sound from the production... —
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Alwyn: Film Music
All arrangements by Martin Ellerby
Royal Northern College of Music Wind Orchestra, Mark Heron, Clark Rundell
These transcriptions work surprisingly well especially for the marches and the swiftly moving extrovert scores. Try the swashbuckling excitement that is The Crimson Pirate and the military pride... —
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Alwyn: Symphony No. 2, Overture to a Masque, The Magic Island & other orchestral works
London Symphony Orchestra, Richard Hickox
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