Orchestral, Overtures, Bononcini, G B (composer)
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Stutzmann’s deep burgundy contralto, like a freakishly rich, wide-ranging countertenor, is the perfect fit for this repertoire...[Her] characterisation and vocal colouring are always true and... —
Awards:
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Gramophone Magazine, March 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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On the Breath of Angels
Veronika Skuplik, Matthias Müller, Mieneke van der Velden (viola da gamba), Jakob Lindberg (lute), Hana Blažiková (soprano), Bruce Dickey, Kris Verhelst, Catherine Aglibut, The Breathtaking Collective
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Trumpet Music from the Italian Baroque
John Wallace (trumpet)
Philharmonia Orchestra, Christopher Warren-Green
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A Royal Trio: Bononcini, Ariosti, Handel
Arias & Scenes
Lawrence Zazzo (countertenor)
La Nuova Musica, David Bates
This is an exceptionally interesting and well researched release…The playing is superb throughout. —
Awards:
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Gramophone Magazine, November 2014, Editor's Choice
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Vivaldi, Bononcini, Scarlatti, Legrenzi: Dolce Pupillo
Sonia Prina (contralto), Luan Goes, Les Furiosi Galantes
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Arias for Domenico Gizzi
A star castrato in Baroque Rome
Roberta Invernizzi (soprano)
I Turchini, Antonio Florio
Invernizzi is sovereign, commanding the band with the authority of an absolute ruler. Her execution dazzles through its seeming ease, as even fiendishly difficult passages yield to her delight... —
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An inspired piece of programming...played by Charivari Agreable...with a disarming naturalness and elegance. —
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La Prima Diva: Arie per Faustina Bordoni
Agata Bienkowska (mezzo-soprano)
Barockwerk Hamburg, Ira Hochman
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