Concertos, Violin Concertos, Glazunov (composer)
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Special offer. Russian Violin Concertos
Julia Fischer (violin)
Russian National Orchestra, Yakov Kreizberg
As Julia Fischer explains in the booklet-notes to this, her first CD, she has an abiding love of the Khachaturian Concerto, a work she found impossible to sell to concert-promoters. The freshness... —
Awards:
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Gramophone Magazine, January 2005, Editor's Choice
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Shostakovich & Glazunov: Violin Concertos
RecommendedItzhak Perlman Vol. 44
Itzhak Perlman (violin)
Israel Philharmonic Orchestra, Zubin Mehta
Awards:
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Grammy Awards, 33rd Awards (1990), Best Classical Instrumental Solo Recording
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Special offer. Maxim Vengerov - Great Violin Concertos
Maxim Vengerov (violin)
London Symphony Orchestra, Gewandhausorchester Leipzig, Chicago Symphony Orchestra, Berlin Philharmonic Orchestra, Mstislav Rostropovich, Kurt Masur, Claudio Abbado, Daniel Barenboim
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Glazunov: Violin Concerto in A minor, Op. 82, etc.
RecommendedItzhak Perlman, Pinchas Zukerman, Samuel Sanders
Israel Philharmonic Orchestra, Zubin Mehta
Awards:
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Grammy Awards, 33rd Awards (1990), Best Classical Instrumental Solo Recording
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100 Violin Masterworks
Isaac Stern (violin), Itzhak Perlman (violin), Nathan Milstein (violin), Georges Pludermacher (piano), David Garrett (violin), Daniel Hope (violin), Jacques Ammon (piano), Gidon Kremer (violin), Leslie Pearson (organ & harpsichord), Radoslaw Szulc (concertmaster), Lisa Batiashvili (violin), Kammerorchester...
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Glazunov: The Seasons & Violin Concerto
Mstislav Rostropovich (cello), Nathan Milstein (violin)
Philharmonia Orchestra, USSR State Symphony Orchestra, Pittsburgh Symphony Orchestra, Lovro von Matacic, Yevgeny Svetlanov, Anatole Fistoulari
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8 CDs
$23.50 -
Fascinating repertoire of Russian rarities, including a Cesar Cui world premiere recording, although performance aren’t uniformally ideal. Panfilov provides fine but vital support. —
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The Romantic Violin Concerto 14 - Glazunov & Schoeck
Chloë Hanslip (violin)
Orchestra della Svizzera Italiana, Alexander Vedernikov
Though Hanslip has a persuasively rich, dark tone for the opening melancholy [of the Glazunov], the dynamic nuancing falls a little by the wayside...Hanslip's polished directness and a flawless... —