Concertos, Violin Concertos, Suk (composer)
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Special offer. Christian Tetzlaff plays Dvorak & Suk
RecommendedChristian Tetzlaff (violin)
Helsinki Philharmonic Orchestra, John Storgårds
John Storgards and the Helsinki Philharmonic provide attentive and flexible accompaniment, and Tetzlaff’s tone throughout is unfailingly beautiful…this well recorded account will appeal to those... —
Awards:
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Gramophone Magazine, March 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2016, Shortlisted - Concerto
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Bohemian Tales
RecommendedAugustin Hadelich (violin), Charles Owen (piano), Symphonie-Orchester des Bayerischen Rundfunks, Jakub Hruša
How warmly his dolce playing seems to smile… Note, too, the way Hadelich suggests a wiry-sounding folk fiddle in the finale’s D minor interlude… Jakub Hrůša has the Bavarian RSO playing with... —
Awards:
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Gramophone Magazine, August 2020, Editor's Choice
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Grammy Awards, 63rd Awards (2021), Nominee - Best Classical Instrumental Solo
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Opus Klassik, 2021, Instrumentalist of the Year
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Mythes is all heightened sensuality and warmth, its heady atmosphere evoked through playing of extraordinary colour, detail and dexterity. —
Awards:
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Gramophone Magazine, September 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Chamber Music
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The intelligently constructed programme is the most intriguing the pair have produced...Aside from the occasional woolly texture, support from Kreizberg's Monte Carlo Philharmonic is superlative...This... —
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Awards:
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International Classical Music Awards, 2023, Nominated - Historical
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These expert transfers by Paul ArdenTaylor feature her intensely poetic and emotionally penetrating 1945 account of the Sibelius Concerto, alongside a series of shorter items recorded the following... —
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Nathan Milstein the U.S. Armed Forces Studio Recordings
Nathan Milstein (violin), Valentin Pavlovsky, Artur Balsam (piano), Joseph Kahn, NBC Symphony Orchestra, RCA Victor Symphony Orchestra, Arthur Fiedler
They’re beautifully played. Milstein’s fingered octaves in the Schubert are pristine, and Poldini’s Dancing Doll in the Kreisler arrangement has real rhythmic buoyancy and flair. —
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Michael Rabin on the Bell Telephone Hour: 1954/62
Michael Rabiin (violin), Bell Telephone Orchestra, Donald Voorhees
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Taken from a variety of sources, some of the older tracks sound less well, but can’t disguise David Oistrakh’s mastery of the long melodic line, impeccable intonation and rhythmic subtlety. —
