Instrumental, Piano Solos, Piano Sonatas, Antheil (composer)
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Hamelin's amazing technique and clarity of sound means that the music sounds as spontaneous as it can, though there's still a lingering doubt that it's all just a bit too knowing and clever. —
Awards:
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Gramophone Magazine, June 2008, Editor's Choice
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Special offer. Antheil: Piano Concertos Nos. 1 & 2
Markus Becker (piano)
NDR Radiophilharmonie, Eiji Oue
Some of this is hilarious 1920s music. George Antheil, the self-styled 'bad boy of music'… is in fine kleptomaniac form at a time when he idolised Stravinsky and plagiarised compulsively.... —
Awards:
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Gramophone Magazine, June 2006, Editor's Choice
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Special offer. Antheil the Futurist: Piano Music of George Antheil
Guy Livingston, Philippe Keler & Stephane Leach (pianos)
Written for himself to play Antheil’s piano music aspires to the condition of the player piano, an ideal weapon in his campaign for ultra-avant-garde supremacy....[Livingstone] is a kinetic... —
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A Selection from the Catalogue of New Music Quarterly Recordings
Georges Barrere (flute), Carlos Salzedo (harp), Horace Britt (cello), Esther Lipsky (violin), Alexander Lipsky (piano), Lydia Hoffmann (piano), Radiana Pazmor (soprano), Genevieve Pitot (piano), Ethel Luening (soprano), Aaron Copland (piano), Otto Luening (flute), Cecil Leeson (saxophone), Paul Creston...
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Played here with character and verve, his late piano works are full of wit, often surprisingly touching and very rarely dull. —
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ANTHEIL: Piano Sonatas Nos. 1, 2 and 4 / La femme 100 tetes / Valentine Waltzes
Marthanne Verbit (piano)
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