Orchestral, Symphonies, Andriessen, H (composer)
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Haitink’s rhythmically-dynamic Beethoven Eight and an invigorating Mendelssohn Italian display the musical virtues typical of his recordings. —
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Special offer. Andriessen: Miroir de peine - Berlioz: Symphonie fantastique
Christianne Stotijn (mezzo-soprano), Philharmonie Zuidnederland, Dmitri Liss
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Not the Dutch radical Louis Andriessen but his father, Hendrik, best known for his church music. Vividly imagined, purposefully driven and muscularly Gallic, his Fourth (and last) Symphony (1954)... —
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Andriessen's clean-cut lines, resourceful, often polytonal harmonies and succinct mode of expression are undoubtedly worthy of admiration...recording and documentation are all first-rate —
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[Andriessen's Third Symphony] is expertly crafted music - the fugue is especially resourceful - which could never be accused of triviality. —
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Bernard Haitink: The Philips Years
Henryk Szeryng (violin), Herman Krebbers (violin), Gundula Janowitz (soprano), Tom Krause (baritone), Arthur Grumiaux (violin)
Royal Concertgebouw Orchestra, Beaux Arts Trio, London Philharmonic Orchestra, Wiener Philharmoniker, Boston Symphony Orchestra, Bernard Haitink
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