Choral, Bach, J C F (composer)
-
We don’t normally associate Daniil Trifonov with Bach, so this recording is a revelation…Many pianists radiate effort in their attempts to make intellectual sense of The Art of Fugue: Trifonov’s... —
Awards:
-
Presto Editor's Choice, October 2021
-
Presto Recordings of the Year, Finalist 2021
-
International Classical Music Awards, 2022, Nominated - Baroque Instrumental
-
BBC Music Magazine, Christmas 2021, Instrumental Choice
-
Grammy Awards, 65th Awards (2023), Nominee - Best Classical Instrumental Solo
Purchase product
2 CDs
$21.25 -
-
The motets by Johann Christoph Altnickol (1720–1759) featured here are considerably more florid in style than J. C. F. Bach’s and have more harmonic variety. These performances employ female... —
Awards:
-
International Classical Music Awards, 2019, Nominee - Choral
-
Opus Klassik Awards, 2020, Nominee - Conductor of the Year
-
-
Awards:
-
Grammy Awards, 65th Awards (2023), Nominee - Best Classical Instrumental Solo
Purchase product
Downloads
Audio formats guide -
-
Mayer switches between oboe, oboe d'amore and cor anglais for this portrait of four members of the Bach dynasty, and his virtuosity on all three is breathtaking: the finale of JS's Keyboard... —
Awards:
-
Presto Editor's Choice, August 2023
-
-
Lamento
Arias, Cantatas and Scenes by the Bach Family
Magdalena Kozena
Musica Antiqua Köln, Reinhard Goebel
Kozena gets Lamento's ecstatic, sin-drenched grief into the very texture of her voice —
Awards:
-
BBC Music Magazine, March 2005, Disc of the month
Purchase product
Downloads
Audio formats guide -
-
-
JCF Bach: Die Kindheit Jesu
Barbara Schlick, Martina Lins (sopranos), Hilke Helling (contralto), Hein Meens (tenor), Harry van der Kamp (bass), Almut Kirchner (harp)
Rheinische Kantorei, Das Kleine Konzert, Hermann Max
Mostly recitative and simple chorus, with one attractive lullaby. —
-
Special offer. Cantatas of the Bach Family
Benjamin Appl (baritone), Christoph Hartmann (oboe), Berlin Barock Solisten, Reinhard Goebel
Appl, warm, intimate, colouring his voice just so, is at his superbly expressive best in the quasi-operatic drama of Pygmalion, with its wide emotional range, or the thrust of Carl Philipp Emanuel’s... —
-
-
