Choral, Hasse, J A (composer)
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Bach: Notebooks for Anna Magdalena
Mahan Esfahani (harpischord/clavichord), Carolyn Sampson (soprano)
What an unfailingly delightful compilation it is, featuring keyboard galanteries, chorale melodies with or without voice and a wide variety of arias...few if any will be disappointed with an... —
Awards:
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Gramophone Magazine, Critics' Choice 2023
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The Polish countertenor gives a lithe and affecting performance on this debut album, a collection of largely unrecorded sacred baroque arias. Il Pomo d’Oro flutter and fizz. —
Awards:
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Presto Editor's Choice, October 2018
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The Times Records of the Year, 2018
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Opus Klassik Awards, 2019, Winner - Solo Vocal Recital (Opera)
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Crowe and Bevan recreate two prime donne through their own blazing talents. —
Awards:
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BBC Music Magazine, October 2019, Recording of the Month
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Gramophone Awards, 2020, Shortlisted - Recital
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Music from the Orphanages of Venice
Vocal Concert Dresden & Dresden Instrumental Consort, Peter Kopp (director)
These uniformly excellent performances are a highly important contribution to reviving the faded fortunes of Vivaldi's most talented younger contemporaries. —
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The Dresden Chamber Choir sings with stunning clarity and perfect blend, alert to small details in the counterpoint, while Hans-Christoph Rademann ensures that the broad sweep of the whole adds... —
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JS Bach: The Complete Works For Keyboard, Vol. 10
Trio Sonatas, BWV 525-530 - Notebook For Anna Magdalena
Benjamin Alard (harpsichord, clavichord), Gerlinde Sämann (soprano)
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Special offer. Les 3 Contre-Tenors: Le Concours de Virtuosite Des Castrats
Samuel Mariño, Valer Barna-Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak
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Cantata Per Flauto
Tabea Debus (recorder), Hongxia Cui (baroque violin) & Katrin Ebert (baroque violin)
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Hasse: Requiem in C major & Miserere in C minor
Johanna Winkel, Marie Luise Werneburg (sopranos), Wiebke Lehmkuhl, Marlen Herzog (altos), Colin Balzer (tenor), Cornelius Uhle (bass)
Dresdner Kammerchor & Dresdner Barockorchester, Hans-Christoph Redmann
Rademann's excellent performance perfectly captures Hasse's attractive juxtaposition of solemn grandeur and graceful beauty...The Dresden Chamber Choir sings with an ideally rich balance between... —
