Choral, Gombert (composer)
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Combining Tallis and Gesualdo with modern/contemporary composers such as Sarah Rimkus, Gerda Blok-Wilson and the late Veljo Tormis can be tricky for an ensemble, but the Gesualdo Six and Owain... —
Awards:
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Gramophone Magazine, April 2020, Editor's Choice
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Presto Recordings of the Year, Finalist 2020
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Throughout, The Gesualdo Six offer up introspective and expressive readings...There is, inevitably, a similarity of mood to these melancholy works and the cumulative effect is somewhat overwhelming,... —
Awards:
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Gramophone Magazine, September 2024, Editor's Choice
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Presto Recordings of the Year, Finalists 2024
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Sunday Times, 20 Best Classical Albums of 2024
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Awards:
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Opus Klassik Awards, 2019, Winner - Choral
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International Classical Music Awards, 2020, Nominee - Early Music
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…the superb singers of Stile Antico are up to the challenge of presenting all the required moods from pious restraint… to melting abandon… a magnificent display of the very best kind of polyphonic... —
Awards:
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Gramophone Magazine, August 2009, Editor's Choice
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Gramophone Awards, 2009, Winner - Early Music
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Special offer. Josquin Desprez: Septiesme Livre de Chansons
Dominique Visse, Ensemble Clément Janequin
The Ensemble Clément Janequin have been issuing top-quality discs of 16th-century music for almost 40 years: even if the only member now left over from the original group is the countertenor... —
Awards:
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International Classical Music Awards, 2022, Nominated - Early Music
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The landscape angle is slightly odd…Luckily some real landscaping can be heard in Hesdin’s motet ‘Parasti’ where the performers shape the form and contour the dynamics splendidly. —
Awards:
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International Classical Music Awards, 2023, Nominated - Early Music
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Cinquecento captures the work's meditative quality to profound effect, the all-male vocal ensemble creating an aptly plangent sonority and a tone of high seriousness. Using just six singers,... —
Awards:
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BBC Music Magazine, December 2012, Choral & Song Choice
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Faced with such a variety of registers and languages, Amarcord are rarely to be faulted… I defy anyone who hears their sunny reading of Lassus's Bon jour, et puis quelles nouvelles to get it... —
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Awards:
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Gramophone Magazine, January 2003, Editor's Choice
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Audio formats guide -
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Special offer. Cabezón: La Tecla de L’alma (The Keyboard of the Soul)
Recorded May 26th - 28th, Oude Dorpskerk, Bunnik (Paesi Bassi)
Paola Erdas (harpsichord), with Lia Serafini (soprano)
Erdas brings a deep understanding of and affinity for Cabezón's music to her performances, teasing out the inner logic of the tientos, and brilliantly illuminates his technical command of idiom... —
