Choral, Allain (composer)
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The Tallis is performed with a suitably gorgeous sound by ORA, even if this listener yearned for more sonic bite at times, but the choir soars in the disc’s new commissions. Alongside richly... —
Awards:
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Presto Editor's Choice, June 2017
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Opus Klassik Awards, 2018, Winner - Ensemble (choral)
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James MacMillan: Missa Dunelmi
and other European Choral Works
Francesca Massey (organ)
The Choir of Durham Cathedral, James Lancelot
A first recording of MacMillan's Durham Mass is the centrepiece. With liberal use of cluster chords and chant-like ornamentations, it's a gripping composition. —
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A shining service of contemporary works…The choir sing with tremendous fervour, clarity and power —
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My Promise: Music for all weddings
Lara De Belder (soprano), Anoushka Kenley (alto), Catriona Arthur (alto), Alastair MacFarlane (tenor)
Chantage, James Davey
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Now May We Singen
Music for Advent and Christmas
Ben Bloor (organ)
Westminster School Choir, Timothy Garrard
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The pulsing, fidgety rhythms of Adrian Peacock’s ‘Venite, Gaudete!’ mark the ORA Singers out as a chamber choir of high accomplishment. The technical accuracy is exceptional and the sound smoothly... —
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Richard Allain: When I'm Gone
John Harle (soprano saxophone)
National Youth Choir of Great Britain & Laudibus, Mike Brewer
startlingly impressive —
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Sacred Music from the Chapel of Saint Basil
Yuri McCoy (organ), Joseph Holik (percussion), Alexandra Summerour (soprano), Adrienne Copeland (flute), Grace Tice (oboe)
University Singers, Brady Knapp
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