Choral, Dowland (composer)
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Chance’s tone is pellucid; notes fall round and clear as water drops...a recording in which Chance stakes serious claim to the title of his generation’s most exciting British countertenor. —
Awards:
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Presto Editor's Choice, April 2023
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Gramophone Magazine, July 2023, Editor's Choice
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
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Unsurprisingly, refinement abounds, though sometimes at the expense of ‘bite’. —
Awards:
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Presto Editor's Choice, January 2019
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The New York Times, Recordings of the Year 2019
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International Classical Music Awards, 2020, Nominee - Early Music
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Special offer. An English Sett for Trumpet
Jonathan Freeman-Attwood (trumpet) & Daniel-Ben Pienaar (piano)
There’s no doubting the technical prowess of these two crack performers, and it’s hard not to share their guilty delight in this stolen booty: intonation and ensemble are spot-on, rhythms pulse,... —
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Can be recommended without reservation … the wonderful By beauteous softness, from Queen Mary’s Birthday Ode of 1689, given this performance, I could quite easily listen to for ever … there’s... —
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Very Best of English Song
RecommendedDame Janet Baker (mezzo), Gerald Moore (piano), Sir Thomas Allen (baritone), Geoffrey Parsons (piano), Anthony Rolfe Johnson (tenor), David Willison (piano), Ian Partridge (tenor), Janet Craxton (piano), Ian Bostridge (tenor), Julius Drake (piano), Jonathan Lemalu (bass-baritone), Roger Vignoles...
Awards:
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Building a Library, June 2018, Also recommended
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Building a Library, January 2021, Recommended orchestral version (Songs of Travel)
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Musick To Heare
Olivia Hunt (soprano), John Hosking (harpsichord, organ & piano), Mark Hartt-Palmer (violin)
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Faced with such a variety of registers and languages, Amarcord are rarely to be faulted… I defy anyone who hears their sunny reading of Lassus's Bon jour, et puis quelles nouvelles to get it... —
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Special offer. Philips & Dering: Motets
The Choir of Gonville & Caius College, Cambridge, In Echo, Matthew Martin
The performances are first-rate; one especially notes that the choir’s diction remains intelligible even in a somewhat reverberant acoustic with accompanying instruments. —
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Peter Warlock: Collected 78rpm Recordings
Recorded 1925-51, digitally remastered.
Josef Szigeti (violin), Nikita Magalov (piano), René Soames (tenor), Flora Nielsen (mezzo-soprano), Peter Dawson (bass-baritone), Gerald Moore (piano), John Goss (baritone), Diana Poulton (lute), John Armstrong (baritone), Parry Jones (tenor), Ann Wood (mezzo-soprano), Peter Pears (tenor), Cecil...
Awards:
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Gramophone Magazine, January 2010, Re-issue of the Month
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What can a cellist achieve alone? A polyphonic, technicolour panorama in Christian-Pierre La Marca’s idiosyncratic tour through the distant and immediate musical past...Stand-out among the performances... —
Awards:
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Gramophone Awards, 2021, Concept Album of the Year
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