Choral, Busnois (composer)
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Special offer. The Splendour of Florence with a Burgundian Resonance
Gothic Voices, Andrew Lawrence-King
The poetic French chansons included here intoxicated the European courts and cities with their ravishingly wistful melodies, delicately intertwined. Gothic Voices and veteran harpist Andrew... —
Awards:
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International Classical Music Awards, 2024, Nominated - Early Music
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The landscape angle is slightly odd…Luckily some real landscaping can be heard in Hesdin’s motet ‘Parasti’ where the performers shape the form and contour the dynamics splendidly. —
Awards:
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International Classical Music Awards, 2023, Nominated - Early Music
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Fortuna desperata: Gothic and Renaissance Organ Music
Daniel Beilschmidt (organ), Christine Mothes (voice), Veit Heller (bells)
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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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Special offer. Plorer, Gemir, Crier: Hommage to Johannes Ockeghem
Diabolus in Musica, Antoine Guerber (direction)
This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Ou Beau Chastel: Leuven Chansonnier, Vol. 2
Andrew Hallock, Jonatan Alvarado, Lior Leibovici, Sollazzo Ensemble, Anna Danilevskaïa
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Alma, svegliate ormai
Devotional Contrafacta in Italian music during the Fifteenth and Sixteenth Centuries
Anonima Frottolisti
Interesting repertoire which sheds light on a less well-known aspect of renaissance music —
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The Art of the Netherlands
Christopher Hogwood (organ), Early Music Consort of London (vocal & instrumental ensemble), David Munrow
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