Choral, Pizzetti (composer)
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For connoisseurs of choral music this is an essential buy. Outstanding performances of two rarely heard 20th-century masterpieces. —
Awards:
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Building a Library, March 2005, Also Recommended
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Gramophone Awards, 1998, Recording of the Year
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Gramophone Awards, 1998, Winner - Choral
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Penguin Guide, Rosette
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Pizzetti · Ghedini: Opere corali sacre
Coro Euridice di Bologna, Pier Paolo Scattolin, Maurizio Guernieri
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Special offer. Italia: Verdi, Scelsi, Nono, Pizzetti, Petrassi
Discovering Italy’s Historical Choir Tradition
SWR Vokalensemble Stuttgart, Marcus Creed
These recordings – made over nine years and in a variety of acoustics – offer as good a survey [of 19th/20th century Italian choral music] as one might hope for, and exhibit impeccable singing... —
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Eternal Light
Christopher Grymes (clarinet), Christine Gustafson (flute), Christopher Ulffers (bassoon)
East Carolina University Chamber Singers, Daniel Bara
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2011 Texas Music Educators Association (TMEA): Stephen F. Austin State University A Cappella Choir
Ron Petti (piano), Joshua Dennis (tenor), Jake Taylor (shaman drum), Casey Jones Parrish (baritone), Christina Guenther (flute), Susan Nelson (bassoon), Ryan Jackson (oboe)
Stephen F. Austin State University A Cappella Choir, Tim King
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Paired religious settings (of the Miserer and De Profundis), including MacMillan's gravely beautiful Miserere. Gleaming work from the sopranos, but overall the impact is a trifle muted. —
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In the Beginning
Frances Bourne (mezzo-soprano) & James Gilchrist (tenor)
Gloucester Cathedral Choir, Andrew Nethsingha
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2014 American Choral Directors Association, Western Division (ACDA): University of Southern California Thornton School of Music Chamber Singers & Riverside City College Chamber Singers [Live]
Karen Miskell (soprano), Benjamin Lee (tenor), Aram Arakelyan (piano)
University of Southern California Thornton School of Music Chamber Singers, Riverside City College Chamber Singers, Jo-Michael Scheibe, John Byun, Steven Hodson
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The perfect, and perfectly lovely, unity of Conspirare's choral tone was not entirely welcome. But they're not bland: their care for words and expression guards against that, as does their... —
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