Choral, Pasquini, B (composer)
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Lucrezia (portraits of A Woman)
Sandrine Piau, Amel Brahim-Djelloul (sopranos), Karine Deshayes, Lucile Richardot (mezzos), Les Paladins, Jérôme Corréas
Beauty alone makes bearable each soloist ’s visceral enactment of female suffering. —
Awards:
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Gramophone Magazine, January 2025, Editor's Choice
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Gramophone Awards, 2025 Shortlist, Voice & Ensemble
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The album is a treat. I’m no organ buff, but Dominguez’s playing drew me in and I happily consumed the whole thing in a single sitting. The individual numbers are nicely sequenced and the recorded... —
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…the Liszt selection, which won a Grand Prix du Disque in 1959, is pure joy. The final 'Es muss ein Wunderbares sein' brings tears to the eyes, reminding us what supreme artists both Liszt... —
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Scarlatti, A: Messa per il Santissimo Natale (1707)
Ensemble Vocale Festina Lente, I Musici di Santa Pelagia, Schola Gregoriana, Michele Gasbarro
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Among the highlights are character pieces by Christina’s ‘Prince of Music’, Bernardo Pasquini…Throughout, Galassi combines precision and flair with astute musicological insights, and the regal... —
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Special offer. Reliquie di Roma II: Caro Sposo
Nadine Balbeisi (Testo), Katherine Watson (Santa Caterina), Christian Immler (Massimino), Juan Sancho (Soldato I), Steve Dugardin (Soldato II/Speranza) & Emily Van Evera (Fede), Emily Van Evera (Cain)
Atalante, Erin Headley
Marazzoli moves from recitative to arioso to aria in the manner of Monteverdi and - in a performance as good as this, anyway - he holds one's attention throughout...Emily van Evera and Steve... —
