Choral, Obrecht (composer)
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This is clearly a well-honed performance, strongest in delicate moments....This new release is a happy marriage of musicality and musicology. —
Awards:
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Gramophone Magazine, June 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Early Music
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Gramophone Magazine, Critics' Choice 2023
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Gramophone Awards, 2024 Winners, Early Music
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The performers manage to give these ‘dark meanderings’ some shape and purpose with contrasts of mood…vigorous interplay between the voices…and some surprising musica ficta harmonies…They are... —
Awards:
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Presto Editor's Choice, December 2017
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It remains only to say that the solo male voices of The Binchois Consort are at the top of their form and that the presentation (with booklet material by Fitch and Andrew Kirkman) meets Hyperion’s... —
Awards:
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Gramophone Awards, 2025 Shortlist, Early Music
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Works by Josquin and Obrecht are among the gems in this excellent collection. Crisp, one-to-a-part performances benefit from majestic recorded sound. —
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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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Basevi Codex, Music At the Court of Margaret of Austria
Dorothee Mields (performer), Boreas Quartett Bremen
The brilliant Dorothee Mields and the excellent Boreas Quartett Bremen take us on a fascinating musical journey through time and inspire us with their high art of interpretation, with a perfect... —
Awards:
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International Classical Music Awards, 2022, Winner - Early Music
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Special offer. Plorer, Gemir, Crier: Hommage to Johannes Ockeghem
Diabolus in Musica, Antoine Guerber (direction)
This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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The Oxford Camerata and Jeremy Summerly do this wonderful music proud as they listen and carefully balance, quiet polyphonic lines and direction —
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Wickham's collection is one of the strongest and most well-rounded introductions to Obrecht in the catalogue... performances of the motets which complete the programme are equally delightful:... —
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