Vocal, Finnissy (composer)

The piano-writing [in Choralvorspiele] ranges from manic to stark: from the note-spinning of the fifth movement, reminiscent of the ‘High’ Baroque at its most obsessive, to, at the other extreme,... — Gramophone Magazine, November 2018More…

Watts not only succeeds in negotiating a very wide variety of styles, moods and approaches but also imparts each song with a keen sense of its own identity…Iain Burnside’s impeccable accompaniment... — Gramophone Magazine, January 2019More…