Vocal, Busnois (composer)
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Special offer. The Orpheus' Lute. Improvisation and Wonder in Humanist Italy
Bor Zuljan (lute, soloist), Mónica Pustilnik
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Fortuna desperata: Gothic and Renaissance Organ Music
Daniel Beilschmidt (organ), Christine Mothes (voice), Veit Heller (bells)
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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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Alma, svegliate ormai
Devotional Contrafacta in Italian music during the Fifteenth and Sixteenth Centuries
Anonima Frottolisti
Interesting repertoire which sheds light on a less well-known aspect of renaissance music —
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The Art of the Netherlands
Christopher Hogwood (organ), Early Music Consort of London (vocal & instrumental ensemble), David Munrow
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The achievement of Les Flamboyants is, among other things, to have produced musically pleasing, compelling and beautiful wholes which seem as effortless and convincing as they in fact represent... —
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A Songbook for Isabella
Music from the circle of Isabella d’Este
Clare Wilkinson (mezzo-soprano)
Musica Antiqua of London, Philip Thorby
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Harry Our King
Music for King Henry VIII Tudor
Charles Daniels (tenor)
Capella de la Torre, Katharina Bauml
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