Opera, Gasparini (composer)
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Kožená’s dramatic and vocal powers are wonderfully displayed in Gasparini’s kaleidoscope aria ‘Ombre, cure, sospetti’ (with its unrestrained runs and the bursts of emotion in its recitative-like... —
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Stutzmann’s deep burgundy contralto, like a freakishly rich, wide-ranging countertenor, is the perfect fit for this repertoire...[Her] characterisation and vocal colouring are always true and... —
Awards:
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Gramophone Magazine, March 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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Divine Impresario
Nicolini On Stage
Randall Scotting (countertenor), Mary Bevan (soprano), Academy of Ancient Music, Laurence Cummings
Throughout this album Scotting is at times demanding, impatient, dramatic and flamboyant, as one would expect from roles written for Nicolini, but always poised and richly toned...But this is... —
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Director and flautist Carlo Ipata puts the composer’s gifts on full display. The music is uniformly ravishing and, the cantata apart, all recorded for the first time. Soprano Roberta Invernizzi... —
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Scholl's voice rushes through the bloodstream —
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Il castrato del granduca - Arias for Gaetano Berenstadt
Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci
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Special offer. Venezia - Opera arias of the Serenissima
Max Emanuel Cencic (countertenor)
Il Pomo d’Oro, Riccardo Minasi
Cencic negotiates the vocal acrobatics of this repertoire effortlessy - his voice light and agile, his technique sure. But he is no mere showman, and responds to dramatic situations with singing... —
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Francesco Gasparini: Alto Arias
Filippo Mineccia (counter-tenor), Orchestra Nazionale Barocca Dei Conservatori Itali, Paolo Perrone
To add to the intrinsic beauty of the voice, especially in mid register, is a fine, agile technique and above all an innate response to the drama of text...Not the least impressive aspect of... —
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It's a rich collection, imaginatively adumbrating the talents of three master-singers of different vocal types and weights united by superior technique and musicianship. —
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