Opera, Purcell, D (composer)
-
British Music Collection - Henry Purcell
Emma Kirkby, Catherine Bott, John Mark Ainsley, David Thomas, Gerald Finley, Tommy Williams
Academy of Ancient Music Chorus & Orchestra, Christopher Hogwood
Christopher Hogwood makes us realise that for all the constraints, this score isn't inherently small-scale and warrants all the subtlety of colour that can be achieved using 12 soloists and... —
-
Special offer. Purcell: Tyrannic Love
Ensemble Les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre, Etienne Bazola (baritone)
The theme is love, but there’s nothing coy or sugary about either music or performances that embrace extremes of emotion and expression...Much of this is theatre music, and in the absence of... —
Awards:
-
Gramophone Magazine, February 2021, Editor's Choice
-
-
Lost is My Quiet
Daniel Taylor (countertenor), Nancy Argenta (soprano)
Theatre of Early Music
Christopher Jackson
Purchase product
Downloads
Audio formats guide -
Special offer. Counter-tenor Duets and Song
Purcell and his contemporaries
Ryland Angel (counter-tenor), Mark Chambers (counter-tenor), Laurence Cummings (h'chord, organ), Taro Takeuchi (lute, theorbo, baroque guitar), Reiko Ichise (bass viol), Becky Davies & Laura Hird (recorder), Rodolfo Richter and Claire Duff (violin) and Emma Alter (viola)
-
The Business of Angels: English Recorder Music from the Stuart Era
Lucas Harris (baroque guitar), Borys Medicky (harpsichord), Joelle Morton (bass viol), Nadina Mackie Jackson (baroque bassoon), Alison Melville (recorder), Lucas Harris (archlute)
Purchase product
Downloads
Audio formats guide -
Purchase product
Downloads
Audio formats guide -
The Purcells
Delia Agúndez (soprano), Manuel Minguillón (baroque guitar), Ruth Verona (cello), Laura Puerto (harpsichord)
Purchase product
Downloads
Audio formats guide -
Special offer. Purcell: The Indian Queen
Julie Cooper, Kirsty Hopkins, Jeremy Budd, Mark Dobell, Matthew Long, Ben Davies, Eamonn Dougan & Stuart Young
The Sixteen, Harry Christophers
Christophers leads a trim, affectionate performance of Purcell’s last (unfinished) semi-opera. The musical forces are small and flexible, and though some previous recordings bring more star... —
