Opera, Pierné, G (composer)
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Pierné - Sophie Arnould
Sophie Marin-Degor (Sophie Arnould), Jean-Sébastien Bou (Dorval) & Doris Lamprecht (Babet)
Orchestre Philharmonique du Luxembourg, Nicolas Chalvin
Sophie Marin-Degor conveys the fragile façade of Arnould with beautiful clarity, and Jean-Sébeastien Bou well captures Dorval's breezy attractiveness. The Orchestre Philharmonique du Luxembourg... —
Awards:
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BBC Music Magazine Awards, 2009, Opera Finalist
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Heavenly Harp
Best Loved Classical Harp Music
Erica Goodman (harp), Elizabeth Hainen (harp), Judy Loman (harp), Claudia Antonelli (harp), Ellen Bødtker (harp), Elisa Netzer (harp), Cristina Bianchi (harp), Lipman Harp Duo
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Classic Marches
A Grand Procession of Orchestral Favourites
Queensland Symphony Orchestra, Adelaide Symphony Orchestra & Sydney Symphony Orchestra
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Romance in Paris: Essential French Romantic Composers
Rachel Rosales (soprano), Christine Moore (soprano), Janos Balint (flute), Deborah Sipkai (harp), Gabriel Tacchino (piano), Laszlo Varga (cello), Ivan Sokol (organ), Thelma Owen (harp), Michael Ponti (piano), Aaron Rosand (violin), Budapest Strings (strings), Streichtrio Berlin, David Lively (piano),...
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Classical Music Capitals of the World: Paris
Ludwig Güttler (oboe), Frank Glazer (piano), Ensemble Die Reihe (chamberensemble), Peter Frankl (piano), Abbey Simon (piano), Janos Balint (flute), Deborah Sipkai (harp), Christoph Kircheis (organ), Lászlo Kóte (violin), Miklós Perényi (cello), Zoltán Kocsis (piano), Michael Ponti (piano), Orchestre...
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overall a lovely disc, warmly recommended not merely for the initiative and playing of these two fine musicians but for giving a hefty nudge to other violin-and-piano duos. —
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The Harold Wayne Collection, Vol. 26 (1904-1911)
Leon David (tenor), Jean Lassalle (baritone), Louise Berat (mezzo-soprano), Edmond Clement (tenor), Blanche Deschamps-Jehin (contralto), Leon Melchissedec (baritone), Emile Scaramberg (tenor)
Monte-Carlo Philharmonic Orchestra, Leon Jehin
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Cahuzac’s music is richly Mediterranean and beautifully written for the clarinet...it's Cuper who’s the more extrovert and declamatory...Dangain’s aesthetic is less knowing than Cuper’s; and... —
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