Opera, Porta, G (composer)
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Charvet despatches the showpieces with agility and bravura, but her velvety voice is particularly well suited to the pathos arias which are eloquently articulated; just occasionally her vibrato... —
Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Special offer. Handel/Leo: Rinaldo
Teresa Iervolino (Rinaldo), Carmela Remigio (Armida), Loriana Castellano (Almirena), Francisco Fernández-Rueda (Goffredo), Francesca Ascioti (Argante), Ana Victória Pitts (A Christian Magician), Dara Savinova (Eustazio)
Ensemble La Scintilla, Fabio Luisi (conductor)
Sangati’s staging, mixing (vaguely) 18th-century costumes, Venice carnival masks and modernist camp, is unpretentious and uncluttered. The substitute arias, often short-breathed, cannot rival... —
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Coming soon. Joyce DiDonato: Drama Queens
Royal Arias from the 17th and 18th Centuries
Joyce DiDonato (mezzo-soprano)
Il Complesso Barocco, Alan Curtis
DiDonato and Alan Curtis...have unearthed some Baroque rarities. Instead of Handel's Berenice, we have Orlandini's Berenice, whose 'Da torbida procella' is an ideal fit for DiDonato's spitfire... —
Awards:
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Opera, January 2013, Recording of the Month
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Baroque Divas
Vivica Genaux, Sonia Prina, Mary-Ellen Nesi and Romina Basso
Armonia Atenea, George Petrou
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Special offer. Re-Joyce
The Best of Joyce DiDonato
Joyce DiDonato (mezzo), with Patrizia Ciofi (soprano), Frederica von Stade (mezzo),
Il complesso barocco, Les Talens Lyriques, Le Concert d`Astrée, Alan Curtis, Christophe Rousset, Emmanuelle Haïm and others
a very varied collection showing something of the singer’s current strengths as well as her vocal evolution as caught on record. —
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DONNE ALL'OPERA
Nicholas TAMAGNA (vocalist, counter-tenor (voice)), Vivica Genaux (vocalist, mezzo-soprano (voice)), Eleonora BELLOCCI (vocalist, soprano (voice)), Francesca ASCIOTI (vocalist, contralto (voice)), Paola Valentina MOLINARI (vocalist, Enea Barock Orchestra, Valeria MONTANARI
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Special offer. Venezia - Opera arias of the Serenissima
Max Emanuel Cencic (countertenor)
Il Pomo d’Oro, Riccardo Minasi
Cencic negotiates the vocal acrobatics of this repertoire effortlessy - his voice light and agile, his technique sure. But he is no mere showman, and responds to dramatic situations with singing... —
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