Opera, Sartorio (composer)
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The Red Priest’s cello concertos flaunt Kobekina’s electrifying virtuosity and the high-octane playing of the Basel Chamber Orchestra under violinist Julia Schröder’s spirited direction. Yet... —
Awards:
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Opus Klassik Awards, 2024, Winner - Young Talent of the Year
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International Classical Music Awards, 2025, Nominated - Assorted Programs
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a maddening, fascinating and often bewitching disc —
Awards:
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2017, Finalist - Recital
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International Classical Music Awards, 2017, Winner - Baroque Vocal
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Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. —
Awards:
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Presto Editor's Choice, September 2017
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Record Review, 16th September 2017, Recording of the Week
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Opus Klassik Awards, 2018, Winner - Newcomer (singer)
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Bostridge is at his best in those pieces requiring technically adroit command and intelligent poise...The sunlight returns at the end when Bostridge serves up a wonderfully captivating performance... —
Awards:
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Presto Editor's Choice, February 2022
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This enterprisingly planned recital confirms Patricia Petibon as a singing actress with few peers in Baroque opera...it is hard to resist the mesmeric intensity of Petibon's singing...[Marcon's]... —
Awards:
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Gramophone Magazine, June 2010, Editor's Choice
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Downloads
Audio formats guide -
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Coming soon. Sartorio: Giulio Cesare in Egitto
Alexandrina Pendatschanska (soprano), Andries Cloete (tenor), Claire Bru (mezzo-soprano), Federico Sacchi (bass), La Cetra Barockorchester, Attilio Cremonesi
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Carneval Oriental
Francesca Lombardi Mazzulli (soprano) & Charlotte Quadt (mezzo-soprano)
Pera Ensemble & l’arte del mondo, Mehmet C Yesilcay & Werner Ehrhardt
Those curious about a different approach to 17th-century Italianate music may find pleasure herein —
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Special offer. La Storia di Orfeo
Philippe Jaroussky (countertenor), Emőke Baráth (soprano)
I Barocchisti, Coro della Radiotelevisione svizzera, Diego Fasolis
Jaroussky’s expressiveness is irresistible. He squeezes maximum nuance from each word, sighing, languishing, and lamenting with utter conviction. As he does so, he also generously shares the... —
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Il canto della nutrice, Nurse Tenor Arias in Italian Baroque Opera
Marco Angioloni (soloist), Francesca Martini (soloist), Ensemble Il Groviglio
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