Chamber, Watkins, H (composer)
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It’s an eclectic mix that combines nostalgia with a modern, shuffle-play sense of adventure. As Cheryl Frances-Hoad’s Bloom finds luminosity in the changing seasons, Huw Watkins’s Arietta suspends... —
Awards:
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BBC Music Magazine, November 2021, Chamber Choice
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BBC Music Magazine Awards, 2022, Winner - Premiere
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Special offer. Smetana, Ravel and Watkins: Piano Trios
Antje Weithaas (violin), Marie-Elisabeth Hecker (cello), Huw Watkins (piano), Florian Donderer (violin), Tanja Tetzlaff (cello), Lars Vogt (piano), Sebastian Manz (clarinet), Florian Donderer (viola)
these performances from the 2011 [Spannungen] festival feature a mixing and matching of personnel, with inspiration generally running high in these three trios captured on three successive days....It... —
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As album titles go, Reflection is pretty bland. But there is nothing timid about the playing of that feisty violinist Tamsin Waley-Cohen and her excellent piano partner Huw Watkins. The music... —
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Legacy: A Tribute to Dennis Brain
Ben Goldscheider (french horn), Huw Watkins (piano), James Gilchrist (tenor)
The magic starts with Huw Watkins’s purpose-built Lament for horn and piano, a wonderful beginner’s guide to the expressive colour range possible when a horn is allowed to sing, rage, and sigh…Watkins’s... —
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CD
$17.75 -
Huw Watkins: In My Craft or Sullen Art
Paul Watkins (cello), Huw Watkins (piano), Mark Padmore (tenor) & Huw Watkins (piano), Alina Ibragimova (violin), Mark Padmore (tenor)
The Nash Ensemble, Elias Quartet, Ian Brown
What strikes you most about Huw Watkins's music is its natural ease. Lyricism flourishes, and tonal echoes are exposed alongside chromatic scrunches and abrasive textures. —
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Purchase product
Downloads
Audio formats guide -
Sea Eagle (works for horn)
Richard Watkins (horn), Mark Padmore (tenor) & Huw Watkins (piano), Paul Watkins (cello) & Huw Watkins (piano), Laura Samuel (violin) & Huw Watkins (piano), Paul Watkins (cello)
The Nash Ensemble
The quality of the works on offer here should make this release appeal well beyond the ranks of new music aficionados; and the near-flawless performances provide their own recommendation...[Watkins's]... —
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Osostowicz and Tong’s interpretative style – patient, affectionate, warmly conversational, sensitive to harmonic detail – reminds me of Schneiderhan and Kempff’s classic mid-50’s set…They may... —
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