Chamber, Venables, I (composer)
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Yang and McElroy are a consistently thoughtful duo with a rapport that is eminently attuned to the elusive and allusive territory they’ve chosen to map out. Happily, they leave little room for... —
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Ian Venables is a curiosity, which is not necessarily a bad thing. Born in 1955, he composes in a style that for many would appear hopelessly outdated...Yet he carries this off without the results... —
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British Classical Masterpieces
Gerald Peregrine, Antony Ingham, Roderick Williams (baritone), Iain Burnside (piano), Henry Purcell, Kym Amps, David van Asch, Maria Kliegel (cello), Nigel North (lute), Benjamin Frith (piano), Dale Kavanagh (guitar), Madeleine Mitchell (violin), Gordon MacKay, Joseph Spooner, Murray McLachlan (piano),...
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The absolute technical ease, as natural as breathing itself, on display in the two Cyril Scott works here show that this was a composer who could do anything —
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In the songs themselves, the vocal line seems central, not as in so many modern compositions added to accommodate the text, and they show a feeling for the singing voice...Andrew Kennedy does... —