Chamber, Telemann (composer)
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Antonini proves an athletic and affectionate communicator of this sophisticated music, enlivening the dances with well-judged tempos, cogent articulation and a light tread that would grace any... —
Awards:
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ECHO Klassik Awards, 2017, Winner
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Diapason d’Or de l’Année, 2017, Winner - Musique Baroque
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Special offer. Telemann: Ino Cantata and Double Concertos
Rachel Podger (violin), Elizabeth Watts (soprano), Hannah Parry, Florilegium, Ashley Solomon
Concise dances of Tritons are played gracefully and Watts's valorous characterisation is shared emphatically by Florilegium's full-tilt verve in an ecstatic tour de force in praise of Neptune. —
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The Danish horn player Ursula Paludan Monberg, thoroughly in command of her instrument, produces a miraculously smooth and agile line with secure tuning…the continuo section of Arcangelo, led... —
Awards:
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BBC Music Magazine, May 2020, Chamber Choice
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...deeply satisfying from its first note to its last, and I can’t imagine how anyone hearing it could fail to be impressed with the music, or with the way in which it is played. Good stuff! —
Awards:
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Diapason d’Or, Summer Issue 2019
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More than half a century separates the earliest and the latest of the works here. The C major Trio Sonata was one of Bach's earliest compositions, written at the age of 17 more or less under... —
Awards:
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Building a Library, September 2005, Highly Recommended
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Penguin Guide, Rosette
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The Irish Baroque Orchestra play with devil-may-care aplomb. —
Awards:
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BBC Music Magazine, August 2016, Concerto Choice
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Taken at face value, the order and selection of works seems entirely random…However, the eccentric programme is carefully considered; repeated listening reveals new parallels between the pieces.... —
Awards:
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BBC Music Magazine, July 2018, Instrumental Choice
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Diapason d’Or, July/August 2018, Nouveauté
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Opus Klassik Awards, 2019, Solo Recital (flute)
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Sonate A Quattro: Goldberg, Fasch, Handel, Janitsch, Telemann
Ensemble Diderot, Johannes Pramsohler (violin)
Ensemble Diderot’s performances balance grace and gravitas in equal measure. The playing is stylish, agile, incisive – above all, characterised by rhetorical articulation, rhythmic drive (at... —
Awards:
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International Classical Music Awards, 2024, Winner - Baroque Instrumental
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The Frans Brüggen Project
Lucie Horsch (recorder), Rachel Podger (violin), Albert Bruggen (cello), Tom Foster (harpsichord), Esther Van Der Eijk (viola), Orchestra of the 18th Century
For the most part, this is a rewarding enterprise, sympathetically recorded and with an essential chart indicating where on the album each instrument can be heard. —
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Crossing Borders
Adrian Chandler (violin), Katy Bircher, Tabea Debus (recorder), La Serenissima (chamber ensemble)
There is a cosmopolitan feel to this recording of music by CROSSING BORDERS well-known and unfamiliar Baroque composers...The Red Priest himself is represented by an unmistakably Venetian-style... —
