Chamber, Storace, B (composer)
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If an hour and a quarter of music based on 16 bars appears daunting, take courage from the immense stylistic variety over 200 years and the splendidly colourful range of instruments playing... —
Awards:
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BBC Music Magazine, December 2005, Chamber Choice
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Special offer. Frescobaldi and the South
Intendami chi può che m’intend’io
Francesco Corti (harpsichord), Andrés Locatelli
Francesco Corti captures both Frescobaldi's eccentric, improvisatory spirit on the one hand, and his rigorous precision and attention to detail on the other...The programme features two harpsichords... —
Awards:
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Presto Editor's Choice, July 2023
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International Opera Awards, 2025, Shortlisted - Solo Recording
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Frutti Musicali
Francis Colpron (recorders, traverso), Susie Napper (viola da gamba), Alexander Weimann (harpsichord, organ)
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Ensemble Anthonella provide delightfully spicy renditions of their cross-section of Ciaconas…The two recorder players have a delightfully free approach to their lines, using various flutterings... —
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Her anguished singing of the great lament 'Lasciate Averno' is immensely moving, without compromising vocal purity...All the musicians display the greatest skill and stylistic sensitivity...This... —
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José Lemos: Io Vidi in Terra
Jose Lemos (countertenor), Jory Vinikour (harpsichord) & Deborah Fox (theorbo)
Countertenor José Lemos’ rich voice ravishes the ear in luscious numbers such as Monteverdi’s ‘Se dolce è’l tormento’; he’s not unagile vocally, either, and handles later, more ornate works... —
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À modo italiano
Javier Núñez (harpischord), Fahmi Alqhai (colascione), Sara Augeda (arpa doppia), Pedro Estaven (percussion)
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No undiscovered masterpieces emerge from this fascinating collection, but the piano chamber works of Stephen Storace and Thomas Attwood are beautifully crafted. —
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Il Flauto Dolce - Italian Music from Three Centuries
Ashley Solomon (flute), Terence Charlston (early keyboard instruments), Jan Spencer
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