Orchestral, Herrmann, B (composer)
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Although there are plenty of theatrics, the playing is tight, with the voices carefully balanced in Glass's Echorus. The album's natural transitions are aided by the treatment Delirium Musicum... —
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Herrmann, Gershwin, Waxman & Copland
American chamber music
Richard Hosford (clarinet), Marianne Thorsen (violin), Laura Samuel (violin), Lawrence Power (viola), Rebecca Gilliver (cello), Ian Brown (piano)
The Nash Ensemble
The Nash Ensemble’s adroit playing tug at the heart-strings. —
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Herrmann: Symphony No. 1, Concerto Macabre & Suite 'The Devil and Daniel Webster'
Sara Davis Buechner (piano), New Zealand Symphony Orchestra, Phoenix Symphony, James Sedares
Both the Phoenix and New Zealand Symphony Orchestras play well and with spirit, and James Sedares conveys his belief in Herrmann’s scores. Pianist Sara Davis Buechner gives an intense, colorful... —
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Agents Only Live Twice
Emma Smith (vocals), Bjarke Mogensen (accordion), Danish National Symphony Orchestra, Christian Schumann
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Hollywood Nightmares
Lon Chaney (Narrator), Stephen Hough (Piano)
Hollywood Bowl Orchestra, Los Angeles Master Chorale, Members, John Mauceri
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Kate Royal – Midsummer Night
Kate Royal (soprano), Andrew Staples (tenor), Thomas Allen (baritone)
Orchestra of the English National Opera & Crouch End Festival Chorus, Edward Gardner
…Kate Royal's lustrous soprano has invited comparisons with that of Elisabeth Schwarzkopf, and so it does in this imaginative programme, conducted by fellow wunderkind Edward Gardner. —
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