Orchestral, Griffes (composer)
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[the Nielsen] merits the supreme artistry that Shraon Bezaly brings to it, both in terms of deft, discerningly harnessed virtuosity and in her supple, sinuous shaping of the music. Neeme Jarvi... —
Awards:
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Gramophone Magazine, November 2013, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Ohlsson's performances throughout are a judicious blend of absolute technical security and fantasy, giving especially appealing treatment to the simple melodies that emerge occasionally from... —
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Special offer. American Classics - Charles Griffes
Barbara Quintiliani (soprano), Carol Wincenc (flute)
Buffalo Philharmonic Orchestra, JoAnn Falletta
Griffes represents the high point of American post-Romanticism. From his European training he inherited both the German and French traditions of Strauss and Debussy, fused them into something... —
Awards:
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Gramophone Magazine, April 2004, Editor's Choice
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Olga Samaroff & Frank La Forge: the Complete Solo Recordings
Olga Samaroff, Frank La Forge, Victor Orchestra
You can still appreciate what a rich and varied piano tone [Samaroff] produced in performances of grace and musicality. When it comes to bravura works, I think you will be astonished. —
Awards:
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Gramophone Magazine, September 2024, Reissue/Archive Issue of the Month
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American Classical Masterpieces
Leon Bates, James Barbagallo, Roberto Díaz, Sal Andolina, Carolyn Enger, Ike Hawkersmith, Kirsten Gunlogson, Dean Anthony, Todd Thomas, Kevin Short (bass), Bart LeFan, Boris Berman (piano), Christopher Mallett, Tim Fain, Jeffrey Silberschlag, Peter Mintun, Christopher Lamb, Blair McMillen (piano),...
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Midwest Clinic 2003 (The 57th Annual) - United States Army Field Band
Alberto Torres (euphonium), Diana Powers (flute)
United States Army Field Band, Donald Hunsberger, Ray Cramer, Thomas Duffy
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Howard Hanson Conducts American Masterworks
Joseph Mariano (Flute), Robert Sprenkle (Oboe), Sidney Mear (Trumpet), Francis Tursi (Viola), James Austin (Trumpet)
Eastman-Rochester Orchestra, Howard Hanson
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With their eerie, amplified piano sound-world and extended piano techniques, [the Crumb pieces] offer snapshots of inky nocturnal strangeness…Licard plays everything with commitment and sensitivity. —
