Orchestral, Schnittke (composer)
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New. Schnittke: Complete Works For Two Violins
Vadim Gluzman (violin), Friedemann Eichhorn, Evgeny Sinaiski, Deutsche Radio Philharmonie, Valentin Uryupin
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Paul Hindemith / Alfred Schnittke
RecommendedAnna Gourari (piano), Orchestra Dell Svizzera Italiana / Markus Poschner
She extracts a dizzying range of colours from Hindemith’s ingeniously constructed score...The string section of the Orchestra della Svizzera Italiana under Markus Poschner responds incisively... —
Awards:
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BBC Music Magazine, September 2024, Concerto Choice
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Assorted Programs
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Special offer. Schnittke: Symphony No. 3
RecommendedRundfunk-Sinfonieorchester Berlin, Vladimir Jurowski
It’s the willingness to embrace [Schnittke's] eclectic mix that for me is the success of this recording; although frequently baffled and staggered at the constant shifts from one idea to the... —
Awards:
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Presto Recordings of the Year, Finalist 2015
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In many respects Alfred Schnittke seems to take Shostakovich's unique brand of introverted lyricism and his penchant for grotesque imagery to new levels of intensity. This link is palpably... —
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Schnittke: Concerto Grosso Nos. 1 & 2
Tatiana Grindenko (violin), Oleg Kagan (violin) & Natalia Gutman (cello)
Moscow Philharmonic Soloists, USSR Ministry of Culture Symphony Orchestra, Yuri Bashmet, Gennadi Rozhdestvensky
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Awards:
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Grammy Awards, 44th Awards (2001), Best Chamber Music Recording
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Schnittke: Symphony No. 8, etc.
Lev Butenin (reciter)
Russian State Symphony Orchestra, Valeri Polyansky
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Martha Argerich & Friends: Live from the Lugano Festival 2010
Martha Argerich (piano), Renaud Capuçon (violin), Lilya Zilberstein (piano), Sergei Edelmann (piano), Lily Maisky (piano), Nicholas Angelich (piano), Gautier Capuçon (cello), Daniel Rivera (piano), Alissa Margulis (violin), Lucia Hall (violin), Mark Dobrinskji (cello), Nora Romanoff-Schwarzberg (viola),...
The sustained quality of music-making on display here ensures that the collective result is something much more than a high-powered musical love-in...her approach [to the Chopin] is as fresh... —
Awards:
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Gramophone Magazine, June 2011, Editor's Choice
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