SACD, Bizet (composer)
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In John Wilson's account [of The Sorcerer's Apprentice] the drama is calibrated to a T with virtuosity and precision aplenty, from the first purposely placed pizzicato 'plop' to that unearthly... —
Awards:
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Presto Recording of the Week, 1st May 2026
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Special offer. Bizet: Les Pêcheurs de Perles
Julie Fuchs (Leïla), Cyrille Dubois (Nadir), Florian Sempey (Zurga), Luc Bertin-Hugault (Nourabad); Les Cris de Paris & Orchestre National de Lille, Alexandre Bloch
Dubois is distinctly French in the timbre of his voice and his singing style, and if Fuchs tends to spread under pressure she is lyrical when required and her coloratura is formidable…the vocal... —
Awards:
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Gramophone Magazine, August 2018, Recording of the Month
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Diapason d’Or, June 2018, Nouveauté
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Miah Persson - Sempre libera
Miah Persson (soprano), Katarina Karnéus (mezzo), Andrew Staples (tenor)
Sveriges Radios Symfoniorkester, Daniel Harding
Popular though they are, the choice of items and their sequence in this recital are refreshingly unhackneyed, more than just a hit list of vocal display items...Persson's is, as always, a voice... —
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Mélodie has a particular association with the baritone voice, and Hampson’s charm, insight and care rightfully take their place in that tradition. Bearing the title ‘Serenade’, this collection... —
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Gong's voice, essentially lyrical in timbre, has a clean, ringing power to it, and he sings securely right through the range. At the moment, though, he applies a one-size-fits-all, slightly... —
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