Hi Res Download, Haydn (composer)
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Haydn & CPE Bach: Cello Concertos
RecommendedSteven Isserlis (cello/director)
The Deutsche Kammerphilharmonie Bremen
His interpretations, graceful and finely-etched before, now have a more rugged depth, and the new variants on his own cadenzas speak of experience…His own arrangement of Mozart’s heavenly ‘Geme... —
Awards:
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Gramophone Magazine, Awards Issue 2017, Disc of the Month
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Presto Recordings of the Year, Finalist 2017
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Grammy Awards, 60th Awards (2017), Nominee - Classical Instrumental Solo
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Gramophone Awards, 2018, Finalist - Concerto
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Ardent, brilliant, stately: mezzo-soprano Kate Lindsey probes the inner states of the mythical Cretan princess Ariadne…Cohen adds hugely to these performances, in the Haydn especially. Cohen... —
Awards:
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Record Review, 14th March 2020, Record of the Week
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BBC Music Magazine, April 2020, Choral & Song Choice
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Gramophone Awards, 2020, Finalist - Recital
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Presto Recordings of the Year, Finalist 2020
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There is much to admire here thanks to Ólafsson’s superb pianism, most notably in Haydn’s Sonata No. 47, Mozart’s little C major Sonata and his Adagio in B minor; his Kleine Gigue goes like... —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Presto Recording of the Week, 3rd September 2021
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Gramophone Magazine, October 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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Gramophone Awards, 2022, Shortlisted - Piano
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Special offer. Schoenberg: Transfigured Night & Haydn: Cello Concertos Nos. 1 & 2
RecommendedAlisa Weilerstein (cello)
Trondheim Soloists
In performances of such freshness, verve and chamber transparency, the concept works...You’d go far to find performances of the Haydn concertos that match Alisa Weilerstein’s mix of stylistic... —
Awards:
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Presto Recording of the Week, 10th August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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As in the previous volumes, the orchestral playing is breathtaking in its accuracy -the sort of Haydn playing you dream of…this may well become the period-instrument Haydn cycle by which all... —
Awards:
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Gramophone Awards, 2017, Winner - Orchestral
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Haydn: Die Schöpfung (The Creation)
Lucy Crowe (soprano), Benjamin Bruns (tenor), Christian Gerhaher (baritone), Symphonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Sir Simon Rattle
Simon Rattle presents an altogether vivid and engrossing account of Haydn’s g reat oratorio, making the most out of its famous dramatic and pictorial effects...This must surely take its place... —
Awards:
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International Classical Music Awards, 2026, Winner - Choral
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Gramophone Awards, 2025 Finalists, Choral
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One thing is certain about this new recording by the Takács Quartet: you will not hear better string quartet playing anywhere in the world today. The technical perfection can almost be taken... —
Awards:
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BBC Music Magazine, October 2022, Chamber Choice
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International Classical Music Awards, 2023, Nominated - Chamber Music
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The Basel Chamber Orchestra present a sound that is a touch sweeter than Il Giardino Armonico’s, although that familiar period-instrument ‘spit’ is still never absent...That sweetness suits... —
Awards:
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Presto Recordings of the Year, Finalist 2017
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Presto Editor's Choice, November 2017
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Gramophone Magazine, January 2018, Editor's Choice
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Special offer. Haydn: The Seasons, Hob.XXI:3
RecommendedChristina Landshamer (soprano), Maximilian Schmitt (tenor), Florian Boesch (baritone)
Collegium Vocale Gent & Orchestre des Champs-Elysees, Philippe Herreweghe
With a first-rate trio of soloists, the accomplished Collegium Vocale Gent and the period sonorities of the Orchestre des Champs-Elysées, the results are thoroughly satisfying. —
Awards:
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Gramophone Magazine, September 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Gramophone Awards, 2015, Finalist - Choral
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As ever, Antonini and his crack period band are attuned both to the spirit and the fine details of Haydn's music. For sheer rhythmic vitality these performances are hard to beat. There are no... —