Blu-Ray Video, Sarah Connolly (mezzo-soprano)
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Special offer. Wagner: Die Walküre
Stuart Skelton (Siegmund), Emily Magee (Sieglinde), Nina Stemme (Brünnhilde), John Lundgren (Wotan), Sarah Connolly (Fricka), Ain Anger (Hunding), Lise Davidsen (Ortlinde)
Orchestra of the Royal Opera House Covent Garden, Antonio Pappano, Keith Warner
Pappano has always had a special relationship with the Ring’s second part…and the Royal Opera House Orchestra rewards him with some of its most sumptuous playing. The cast in this 2018 staging... —
Awards:
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BBC Music Magazine, June 2020, Opera Choice
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BBC Music Magazine Awards, 2021, Winner - DVD/Blu-ray
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Brett Dean: Hamlet
RecommendedAllan Clayton (Hamlet), Sarah Connolly (Gertrude), Barbara Hannigan (Ophelia), Rod Gilfry (Claudius), Kim Begley (Polonius), John Tomlinson (Ghost/Grave-Digger), Jacques Imbrailo (Horatio), David Butt Philip (Laertes)
London Philharmonic Orchestra, Glyndebourne Chorus, Vladimir Jurowski
Dean’s score succeeds through rampant imagination and simple wisdom…[Clayton’s] portrayal of Hamlet’s decline would be noteworthy even without singing that is full of expressive meaning and... —
Awards:
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Gramophone Magazine, Awards Issue 2018, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2018
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International Opera Awards, 2019, Nominated - Complete Opera Recording
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Gramophone Awards, 2019, Winner - Contemporary
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Special offer. Britten: The Rape of Lucretia
Sarah Connolly (Lucretia), Christopher Maltman (Tarquinius), Catherine Wyn-Rogers (Bianca), Mary Nelson (Lucia), Leigh Melrose (Junius), Clive Bayley (Collatinus), Orla Boylan (Female Chorus) & John Mark Ainsley (Male Chorus)
English National Opera, Paul Daniel (conductor) & David McVicar...
The main cast delivers a superlative response from start to finish, headed by baritone Christopher Maltman's bull-like Tarquinius and mezzo-soprano Sarah Connolly's harrowingly intense Lucretia...Top-flight... —
Awards:
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Opera, April 2014, Recording of the Month
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Special offer. Dvořák: Rusalka
Asmik Grigorian (Rusalka), David Butt Philip (Prince), Matthew Rose (Vodník), Emma Bell (Foreign Princess), Sarah Connolly (Ježibaba)
The Orchestra of the Royal Opera House, Royal Opera Chorus, Natalie Abrahami, Ann Yee, Semyon Bychkov
Grigorian’s dramatic commitment is never in doubt...Bychkov conducts it wonderfully well, too, his spacious speeds allowing both emotion and detail to register fully. There are moments of yearning... —
Awards:
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International Classical Music Awards, 2025, Nominated - Video Opera
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Special offer. Rameau: Hippolyte et Aricie
Ed Lyon (Hippolytus), Christiane Karg (Aricia), Sarah Connolly (Phaedre) & Stéphane Degout (Theseus)
Orchestra of the Age of Enlightenment & The Glyndebourne Chorus, William Christie (conductor) & Jonathan Kent (director)
actually the fridge is an appropriate 21st-century metaphor for the frigidity of the goddess...one of the many good things about this production is the way Jonathan Kent and choreographer Ashley... —
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Special offer. Purcell: Dido and Aeneas
Sarah Connolly (Dido), Lucas Meachem (Aeneas), Lucy Crowe (Belinda), Sara Fulgoni (Sorceress), Anita Watson (Second Woman), Eri Nakamura (First Witch), Pumeza Matshikiza (Second Witch), Iestyn Davies (Spirit), Ji-Min Park (Sailor)
Dancers of The Royal Ballet, The Royal Opera Extra Chorus &...
The wide open spaces and minimalist designs contrive a vast universe against which a very intimate human tragedy can be teased out, presented with an almost classical purity and restraint. Lucy... —
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Mahler: Symphony No. 2 'Resurrection'
Christiane Oelze (soprano) & Sarah Connolly (alto)
Gewandhausorchester Leipzig, MDR Rundfunkchor, Berliner Rundfunkchor & GewandhausChor, Riccardo Chailly
[Chailly] has turned wiry Gewandhaus strings into muscular proponents; the first real moment of magic is when he gives the cor anglais space to etch the Alpine idyll at the heart of the first... —
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Special offer. Monteverdi: L'incoronazione di Poppea
Miah Persson (Poppea), Sarah Connolly (Nerone), Jordi Domènech (Ottone), Franz-Josef Selig (Seneca), Maite Beaumont (Ottavia), Dominique Visse (Nutrice/Arnalta), Ruth Rosique (Drusilla), Guy de Mey (Lucano), William Berger (Valletto), Marisa Martins (La Fortuna/Pallas Athene/Venus), Judith van Wanroij...
this Barcelona interpretation by [Alden] is almost Brechtian in the spare objectivity of its stage set, and Expressionist in its use of the shadowy, zombie-like figure of Time that shuffles... —
