Jonathan Sells
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Schütz: Italian Madrigals
Les Arts Florissants (early music ensemble), Paul Agnew (tenor), Miriam Allan (soprano), Hannah Morrison, Mathilde Ortscheidt, Sean Clayton, Jonathan Sells
Les Arts Florissants’ elasticity of expression brings out a particularly lucid evocation of rolling waves and ‘sweet harmony’ in the concluding eight-voice ‘Vasto mar, nel cui seno fan soave... —
Awards:
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Gramophone Awards, 2024 Shortlist, Finalist - Early Music
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The exotic harmonies in both expose the family resemblance between the styles of the two composers (though Gesualdo is even more experimental in his secular music) and the Monteverdi Choir is... —
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J.S. Bach: Mass in F Major, BWV 233
Jan Börner, Chor der J. S. Bach-Stiftung, Jessica Jans, Rudolf Lutz, Orchester der J. S. Bach-stiftung, Orchester der J. S. Bach-Siftung, Jonathan Sells
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J. S. Bach: Du sollt Gott, deinen Herren, lieben, BWV 77
Orchester der J. S. Bach-Siftung, Michaela Selinger, Chor der J. S. Bach-Stiftung, Miriam Feuersinger, Raphael Höhn, Rudolf Lutz, Jonathan Sells
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Coming soon. J. S. Bach: Köthener Trauermusik
Alex Ashworth, Nathan Mercieca, Thomas Herford, Kate Symonds-Joy, David de Winter, Clare Lloyd-Griffiths, Zoë Brookshaw, Solomon's Knot, Jonathan Sells
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2 CDs
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J. S. Bach: Mein liebster Jesus ist verloren, BWV 154
Bernhard Berchtold, Jessica Jans, Elvira Bill (mezzo-soprano), Orchester der J.S. Bach-Stiftung, Chor der J.S. Bach-Stiftung, Rudolf Lutz, Jonathan Sells
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J.s. Bach - Passionsoratorium
Daniel Johannsen (tenor), William Shelton, Tiemo Wang, Miriam Feuersinger, Jana Pieters, Il Gardellino, Alexander Grychtolik, Jonathan Sells
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J.S. Bach: Bleib bei uns, denn es will Abend werden, BWV 6
Annekathrin Laabs, Lia Andres, Georg Poplutz (tenor), Orchester der J.S. Bach-Stiftung, Chor der J.S. Bach-Stiftung, Rudolf Lutz, Jonathan Sells
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A glittering debut recording for the musicians, whose live sound has been decanted beautifully here in celebration of three of Leipzig’s finest. Bach’s offering shines brightest. —
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