Daniel Hyde
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Amidst such truly bewitching music-making it is difficult to isolate individual tracks. In Contrapunctus 6 ‘in Stylo Francese’ Phantasm prioritise articulatory clarity, allowing the sheer complexity... —
Awards:
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International Classical Music Awards, 2026, Nominated - Baroque Instrumental
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Phantasm brings its distinctively light, luminous and spectral sound to these busy tapestries, and the consort’s translucent textures are enriched in sundry pieces by the velvet warmth of a... —
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Buxtehude: Membra Jesu nostri, BuxWV75
John Mark Ainsley (tenor), Robin Blaze (counter-tenor) & Giles Underwood (bass)
Choir of Magdalen College, Oxford & Phantasm, Daniel Hyde
this new issue [has] a decidedly English slant, which provides striking contrasts with the many versions deploying continentally trained voices. The lightly articulated and youthful sounding... —
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Special offer. Wood, C: St Mark Passion
Jonathan Vaughn (organ), Simon Wall (tenor), James Birchall (baritone), Edward Grint (bass) & Ruth Jenkins (soprano)
The Choir of Jesus College, Cambridge, Daniel Hyde (director)
Modestly tasteful, Wood's St Mark still fails to engender any passion. —
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Special offer. All the Stars Looked Down: A John Rutter Celebration
Daniel Hyde, Choir of King's College, Cambridge, Britten Sinfonia
Rutter favourites such as Dormi, Jesu, Nativity Carol and All Bells in Paradise receive radiant performances under Daniel Hyde's highly sympathetic direction, with the Britten Sinfonia adding... —
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Carols From King's (2020 Collection)
Live
Donal McCann, Philip Curtis (soloist), Daniel Hyde, Aiken Anderson-Jané (soloist), Protik Moulik (soloist), Choir of King's College Cambridge
Purchase product
Downloads
Audio formats guide -
Easter From King's (2021 Collection)
Donal McCann, Anita Monserrat (soloist), Choir of King's College Cambridge, Daniel Hyde
Purchase product
Downloads
Audio formats guide -
In the Bleak Midwinter: Christmas Carols From King's
Matthew Martin (organ), Choir of King's College, Cambridge, Daniel Hyde
The voices are warmly blended by Daniel Hyde, director of music since 2019, and show the choir confidently developing a fresh identity in the post-Stephen Cleobury era. —
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