Pietari Inkinen
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Bela Bartók: Orchestral Works
Špela Mastnak (percussion), Yuka Ohta (percussion), Max Riefer (percussion), Stephan Böhnlein (kettle drum), Martin Frink (percussion), Jochen Ille (percussion), Michael Gärtner (percussion), Deutsche Radio Philharmonie, Pietari Inkinen
Awards:
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International Classical Music Awards, 2023, Nominated - Assorted Programs
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Mozart: Violin Concerto No. 4, Symphony No. 8, Hartmann: Suite No. 2
RecommendedSuyoen Kim (violin)
Bayerische Kammerphilharmonie, Inkinen
Awards:
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Building a Library, January 2006, First Choice
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Inkinen and the German Radio Philharmonic’s performances of the overtures are every bit as thrilling as their performance of the symphony. This is a no-brainer. Urgently recommended. —
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Great Composers in Words and Music: Robert Schumann
Leighton Pugh (narrator), Boris Giltburg (piano), Evelyne Dubourg, Hans Jörg Mammel (tenor), Uta Hielscher, Thomas Selditz, Kotaro Fukuma, Jenö Jandó (piano), Thomas E. Bauer, Belgian Radio and Television Philharmonic Orchestra and Alexander Rahbari, Magdaléna Hajóssyová, Juan Carlos Rodríguez, Olivier...
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top-notch performances —
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Special offer. Wagner: Siegfried Act III (abridged)
Lise Lindstrom, Stefan Vinke
Deutsche Radio Philharmonie, Pietari Inkinen
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Rautavaara studied at the Juilliard School in 1955-56 and Manhattan Trilogy (2004) was commissioned to celebrate its centennial. In recalling his youthful sojourn in the Big Apple, the composer... —
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Special offer. Johannes Moser plays Shostakovich & Britten
Johannes Moser (cello)
WDR Sinfonieorchester Köln, Pietari Inkinen
both these virile, confrontational works benefit from [Moser's] terrific energy and impetuous attack. He slices into the Shostakovich at speed...His ringing, acrobatic cadenza and urgent Allegro... —
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This is, in any event, the best stand-alone performance of the Dvořák Second Symphony so far available, especially when we consider the limpid sound SWR has delivered, the pretty textures of... —
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[In No. 4] the NZSO musters rare tension and foreboding. Inkinen isn’t afraid to let the music’s silences breathe, and he finds a steely clarity – notably in the hand-stopped horns and vibrato-less... —
