Miguel Harth-Bedoya
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Brahms & Ligeti: Violin Concertos
Cadenzas written by Thomas Adès
Augustin Hadelich (violin)
Norwegian Radio Orchestra, Miguel Harth-Bedoya
In the Brahms, Hadelich proves a sensitive and technically secure guide to the score’s alternations of serenity and passion, subtly varying degrees of vibrato; Miguel Harth-Bedoya unfolds the... —
Awards:
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International Classical Music Awards, 2019, Nominee - Concerto
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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Prokofiev: Piano Concertos Nos.1, 3 & 4
Vadym Kholodenko (piano)
Fort Worth Symphony Orchestra, Miguel Harth-Bedoya
Personality, thought Stravinsky, was Prokofiev’s strongest quality. Vadym Kholodenko has plenty of it…Though his playing is always lucid, never muddy, Kholodenko looks at these three works through... —
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Awards:
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Gramophone Magazine, October 2006, Editor's Choice
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Traditions & Transformations
RecommendedSounds of Silk Road Chicago
Yo-Yo Ma (cello), Wu Man (pipa)
Chicago Symphony Orchestra, Silk Road Ensemble, Miguel Harth-Bedoya & Alan Gilbert
Bloch suggested the cello in Schelomo could represent the voice of Solomon. Ma invests the solo part with regal and sagacious qualities, but shot through with frailty. Khongorzul Ganbaatar... —
Awards:
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Presto Recording of the Week, 11th February 2008
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Grieg & Saint-Saëns: Piano Concertos
Vadym Kholodenko (piano)
The Norwegian Radio Orchestra, Miguel Harth-Bedoya
There's steely-fingered technique aplenty but the 2013 Van Cliburn Gold winner brings a heaviness, dulling Grieg's ethereal Adagio and Saint-Saëns fly-away moments. —
Awards:
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Gramophone Magazine, September 2015, Editor's Choice
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Bartók & Mendelssohn: Violin Concertos
Augustin Hadelich (violin)
Norwegian Radio Orchestra, Miguel Harth-Bedoya
[Hadelich] manages to make this supposedly 'difficult' work sound as approachable and lyrical as any Romantic warhorse…his expressive range traverses a satisfying sonic rainbow as the work progresses;... —
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Prokofiev: Piano Concertos Nos. 2 & 5
Vadym Kholodenko (piano)
Fort Worth Symphony Orchestra, Miguel Harth-Bedoya
[Kholodenko] surmounts the Second Concerto's formidable challenges impressively, with only a hint of a rallentando at the cadenza's steepest hurdles. The Fort Worth Symphony Orchestra matches... —
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Ravel: Piano Concerto for the left hand & Prokofiev: Romeo & Juliet (excerpts)
Michael Houstoun (piano)
Auckland Philharmonia, Miguel Harth-Bedoya
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The sheer technical accomplishment of his singing is astounding, but it’s the way that he finesses this music with the delicacy of a true tenore di grazia that make his performances truly memorable.... —
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