Robin Ticciati
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Elgar: Violin Concerto
RecommendedVilde Frang (violin), Deutsches Symphonie-Orchester Berlin, Robin Ticciati
A new version which stands comparison with the best. Frang’s initial entry is immediately soulful and introspective, intently tuning in to Robin Ticciati’s compelling account of the long orchestral... —
Awards:
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Gramophone Magazine, Awards Issue 2024, Recording of the Month
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BBC Music Magazine, December 2024, Concerto Choice
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Concertos
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Gramophone Magazine, Critics' Choice 2024
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BBC Music Magazine Awards, 2025, Winner - Concerto
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Gramophone Awards, 2025 Winners, Concerto
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Special offer. Beethoven & Sibelius: Violin Concertos
Christian Tetzlaff (violin)
Deutsches Symphonie-Orchester Berlin, Robin Ticciati
Such glorious playing cannot be recommended too strongly, but for me the Beethoven performance makes a greater contribution to the work’s discography. I won’t soon forget how deeply Tetzlaff... —
Awards:
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Gramophone Magazine, October 2019, Recording of the Month
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Record Review, 21st September 2019, Disc of the Week
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Presto Editor's Choice, September 2019
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International Classical Music Awards, 2019, Nominee - Concerto
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The Guardian Classical Albums of the Year, 2019
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Gramophone Awards, 2020, Shortlisted - Concerto
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Perhaps one of the most striking aspects of these performances is the sheer variety of colours and timbres Robin Ticciati manages to extract from the outstanding strings of the Scottish Chamber... —
Awards:
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BBC Music Magazine, May 2018, Recording of the Month
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Record Review, 24th March 2018, Recording of the Week
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Special offer. Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... —
Awards:
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Presto Recording of the Week, 2nd December 2013
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Special offer. Brahms & Berg: Violin Concertos
Christian Tetzlaff, Deutsches Symphonie-Orchester Berlin, Robin Ticciati
In his booklet notes, the violinist Christian Tetzlaff points out that he has out that he has played these two central pillars of the concerto repertoire literally hundreds of times, and his... —
Awards:
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International Classical Music Awards, 2023, Nominated - Concerto
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Special offer. Ravel & Duparc: Aimer et mourir
RecommendedDanses et Mélodies
Magdalena Kožená (mezzo)
Deutsches Symphonie-Orchester Berlin, Robin Ticciati
The prevailing mood of the first two thirds of the disc is one of heady sensuality, rooted in careful appraisal of sonority and texture and in a fondness for, and an ability to sustain, slower... —
Awards:
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Presto Editor's Choice, September 2018, Editor's Choice
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Gramophone Magazine, November 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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The first thing to be said about this Schumann cycle is how splendidly alert the orchestral playing is: the Scottish Chamber Orchestra must be one of the finest ensembles of its kind in the... —
Awards:
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BBC Music Magazine, November 2014, Orchestral Choice
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Special offer. Haydn: Symphonies Nos. 31, 70 & 101
RecommendedScottish Chamber Orchestra, Robin Ticciati
The performances, though on modern instruments, pay attention to matters of period style - every repeat observed, careful balance between parts…the SCO is everywhere on wonderfully characterful... —
Awards:
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Presto Recording of the Week, 18th September 2015
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Presto Recordings of the Year, Finalist 2015
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Special offer. Berlioz: Roméo et Juliette, Op. 17
Katija Dragojevic (mezzo-soprano), Andrew Staples (tenor), Alastair Miles (bass)
Swedish Radio Symphony Orchestra & Swedish Radio Choir, Robin Ticciati
If freshness and vitality appeal more than sheer richness, try listening to this —
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Special offer. Scottish Chamber Orchestra: 40th Anniversary Edition
Scottish Chamber Orchestra, Robin Ticciati, Joseph Swensen, Sir Charles Mackerras
The orchestra shows itself brilliantly adapted to any style and conductor — provided, anyway, they have more than a smack of genius. —
