Hans-Christoph Rademann
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CPE Bach: Magnificat
RecommendedElizabeth Watts (soprano), Wiebke Lehmkuhl (alto), Lothar Odinius (tenor) & Markus Eiche (bass)
RIAS Kammerchor & Akademie für Alte Musik Berlin, Hans-Christoph Rademann
a fine reconstruction of the second half of a concert [CPE Bach] conducted in Hamburg on Palm Sunday, 1786. So vivacious is the choral singing and orchestral playing under Hans-Chrisoph Rademann... —
Awards:
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Presto Recording of the Week, 10th February 2014
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Gramophone Magazine, April 2014, Editor's Choice
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Presto Recordings of the Year, Winner 2014
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Gramophone Awards, 2014, Winner - Baroque Vocal
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J S Bach: Cantatas 21 'Ich hatte viel Bekümmernis' & 147 'Herz und Mund und Tat und Leben'
RecommendedGaechinger Cantorey, Hans-Christoph Rademann
The bass and trumpet aria ‘Ich will von Jesu Wundern singen’ achieves a deft balance of flamboyance and clarity, and the beloved closing chorale ‘Jesus bleibet meine Freude’ has dancelike elegance. —
Awards:
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Gramophone Awards, 2022, Shortlisted - Choral
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Building A Library, January 2026, Recommended Recording
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Haydn: Die Schöpfung
RecommendedKatharina Konradi, Julian Habermann, Tobias Berndt, Gaechinger Cantorey, Hans-Christoph Rademann
From the very start it ’s clear that we’re in for an exceptionally dramatic performance, as Hans-Christoph Rademann and his musicians bring out all the intensity and eeriness of the ‘Representation... —
Awards:
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Record Review, 19th November 2022, Record of the Week
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International Classical Music Awards, 2024, Nominated - Choral
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Building A Library, January 2024, Recommended Recording
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New. Vision.bach - the First Cantata Year, Vol. 10 (BWV 86, 37, 44, 59, 172.2, 173.2, 184.2)
Hans-Christoph Rademann, Gaechinger Cantorey
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Special offer. Vision.bach - the First Cantata Year, Vol. 3 (bwv 105, 46, 179, 199.3, 69.1, 77, 25, 199)
Elvira Bill (mezzo-soprano), Miriam Feuersinger, Matthias Winckhler, Benedikt Kristjánsson (tenor), Daniel Johannsen (tenor), Peter Harvey (bass), Henriette Reinhold, Tobias Berndt, Isabel Schicketanz, Patrick Grahl (tenor), Gaechinger Cantorey, Hans-Christoph Rademann
Awards:
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International Classical Music Awards, 2025, Nominated - Baroque Vocal
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Heinichen: Masses Nos. 11 & 12
Christine Wolff (soprano), Patrick van Goethem (alto), Uwe Stickert (tenor), Jochen Kupfer (bass), Monika Frimmer (soprano), Kai Wessel (alto), Hermann Oswald (tenor), Andreas Scheibner (bass), Egbert Junghanns (bass)
Dresdner Kammerchor & Dresdner Barockorchester, Hans-Christoph Rademann
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Volume 20 comprises nine psalm settings in addition to ten miscellaneous vocal works, all of which sustain the high musical standards of previous volumes. It makes a fitting conclusion to the... —
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Winner - Outstanding Achievement in Editing
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Of these two performances by the Stuttgart-based Gaechinger Cantorey, the CPE Bach comes over more vividly, with sharply articulated detail under the energetic direction of Hans-Christoph Rademann. —
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Heinichen: Mass No. 9 & Zelenka: Te Deum
Heike Hallaschka (soprano), Patrick van Goethem (alto), Marcus Ullmann (tenor), Jochen Kupfer (bass)
Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann
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The Dresden Chamber Choir sings with stunning clarity and perfect blend, alert to small details in the counterpoint, while Hans-Christoph Rademann ensures that the broad sweep of the whole adds... —