Emilio Moreno
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Castro, F J: Trio sonatas, Op. 1
Emilio Moreno, Enrico Gatti (violins), Mercedes Ruiz (cello), Pablo Zapico (Baroque guitar & theorbo) & Aarón Zapico (harpsichord)
La Real Cámara
Its 10 trio sonatas are constructed as suites of preludes and dances, and all are played superbly by La Real Cámara. Principal violinist Emilio Moreno – the co-founder of the Glossa label –... —
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Caldara: Il più bel nome
María Espada (soprano), Raquel Andueza (soprano), Marianne Beate Kielland (mezzo), Robin Blaze (countertenor) & Agustín Prunell-Friend (tenor)
El Concierto Español, Emilio Moreno (direction)
María Espada's Venus faces down Juno in a wonderful display of ornamentation...and Marianne Kielland as Hercules if delightfully mocking and accusatory...Elisa's name is finally revealed with... —
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MOZART Natural Horn Concertos
Javier Bonet, Carlo Gianneschi (narrator), La Real Cámara, Emilio Moreno
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Francisco Corselli: Music at the Spanish Court
Nuria Rial (soprano)
El Concierto Español, Emilio Moreno
[Rial] matches the orchestra perfectly, and the balance between voice and instruments is very good. El Concierto Español delivers convincing interpretations of the orchestral scores; the wind... —
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Nebra Blasco: Iphigenia en Tracia
Marta Almajano, María Espada, Raquel Andueza, Soledad Cardoso (sopranos), Marta Infante (mezzo) & Javier Méndez (tenor)
El Concierto Español, Emilio Moreno
The music is very agreeable, and Italianate in style: secco recitatives (with one accompanied recitative at the end) and da capo arias...There are no weak links among the all-female cast and... —
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Luigi Boccherini - The Last Trios
Emilio Moreno (violin), Enrico Gatti (violin), Wouter Möller (cello)
La Real Cámara
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Francesco Mancini - Seven Recorder Sonatas
Ricardo Kanji (recorder), Marc Destrubé (violin), Irmgard Schaller (violin), Emilio Moreno (viola), Jacques Ogg (harpsichord), Hidemi Suzuki (violoncello)
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Nuria Rial - The Spanish Album
Recorded in Cuenca and San Lorenzo de El Escorial, Spain, between 1999 and 2004
Nuria Rial (soprano)
Orphénica Lyra & El Concierto Español, José Miguel Moreno & Emilio Moreno
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Moreno on his 1761 Gagliano is sunny of outlook and sweetly austere of playing style, articulation subtly detached, with vibrato switching between light and none. Zapico, meanwhile, is eloquent... —
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