Igor Markevitch
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Special offer. Rimsky Korsakov: Scheherazade
RecommendedRoyal Concertgebouw Orchestra, London Symphony Orchestra, Kirill Kondrashin, Igor Markevitch
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Building a Library, September 2005, First Choice
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Stravinsky - The Great Ballets
RecommendedLondon Philharmonic Orchestra, Bernard Haitink, London Symphony Orchestra, Igor Markevitch
Awards:
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Penguin Guide, Rosette
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Berlioz: La Damnation de Faust
RecommendedConsuelo Rubio, Richard Verreau, Michel Roux, Pierre Mollet, Heinz Kirchner (viola)
Elisabeth Brasseur Choir · Chœur Enfants · R.T.F. · Orchestre Lamoureux, Paris · Berliner Philharmoniker, Orchestre Lamoureax, Paris, Berliner Philharmoniker, Igor Markevitch
The names of the soloists may not be familiar to everyone nowadays (Richard Verreau, Michel Roux and Consuelo Rubio) but with the Lamoureux Orchestra and Elisabeth Brasseur Choir under Igor... —
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Gramophone Magazine, July 2026, Best-kept Secrets
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Building a Library, February 2018, Also Recommended
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Even after almost 50 years, Igor Markevitch and the Philharmonic orchestra hit the spot, burning from the inside and sounding genuinely live. The downside, though is the recorded sound which... —
Awards:
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Building a Library, June 2004, Historic Choice
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$16.25 -
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Special offer. Beethoven: Symphony No. 1; Symphony No. 5; Symphony No. 8
Orchestre Lamoureux, Igor Markevitch
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Special offer. Tchaikovsky: Symphony No. 1 in G minor, Op. 13 'Winter Daydreams', etc.
London Symphony Orchestra, Igor Markevitch
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Special offer. Mussorgsky: Pictures at an Exhibition & Night on a Bald Mountain
Gewandhausorchester Leipzig, Igor Markevitch
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Special offer. Bizet: Carmen Suite No. 1 & No. 2; L'Arlésienne Suite No. 1 & No. 2
Orchestre Lamoureux, Igor Markevitch
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Special offer. Verdi: Requiem
Galina Vishnevskaya (soprano), Nina Isakova (mezzo-soprano), Vladimir Ivanovsky (tenor) & Ivan Petrov (bass)
State Academy Chorus & Moscow Philharmonic Orchestra, Orchestre National de l’ORTF, Igor Markevitch
one of the great interpretations, intensely felt and marvellously acute in its understanding of the balance between the score's devotional and dramatic elements. The playing and choral singing... —