John Butt
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Special offer. Handel: Samson
RecommendedJoshua Ellicott (tenor), Sophie Bevan(soprano), Fflur Wyn (soprano), Mary Bevan (soprano), Jess Dandy (contralto), Hugo Hymas (tenor), Matthew Brook (bass), Vitali Rozynko (bass-baritone)
Dunedin Consort, John Butt
Butt has created the best Samson ever...These choral forces make for a vibrancy unique among Samson recordings…Butt’s deep grasp of both Handel’s rhetoric and of large-scale structure turns... —
Awards:
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Gramophone Magazine, December 2019, Editor's Choice
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Gramophone Magazine, December 2019, Critics' Choice
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Gramophone Awards, 2020, Finalist - Choral
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BBC Music Magazine Awards, 2021, Shortlisted - Choral
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There are few more persuasive Bachians than Butt, who always reconsiders everything afresh. Adroitly he judges the tense grandeur of BWV 1069’s opening, and is in his exuberant element as the... —
Awards:
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International Classical Music Awards, 2023, Nominated - Baroque Instrumental
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Special offer. Handel: Messiah
RecommendedSusan Hamilton (soprano), Annie Gill (mezzo), Clare Wilkinson (alto), Nicholas Mulroy (tenor), Matthew Brook (bass), Edward Caswell (bass)
Dunedin Consort, John Butt
The Dunedin Consort's recording of Handel's Messiah strips the work back to how it was performed at its first outing in Dublin. Even less ornate than other 'authentic' performances, it is innately... —
Awards:
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Gramophone Awards, 2007, Winner - Baroque Vocal
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Building A Library, April 2022, Also Recommended
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Special offer. Handel: Acis and Galatea
RecommendedSusan Hamilton, Nicholas Mulroy, Thomas Hobbs, Nicholas Hurndall Smith & Matthew Brook
Dunedin Consort & Players, John Butt
The chief strength of this account lied in the excellent instrumental playing (the recorders that form the 'warbling choir' addressed in Galatea's first aria are sheer magic)… —
Awards:
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Building a Library, July 2009, First Choice
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Gramophone Awards, 2009, Finalist - Baroque Vocal
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Gramophone Magazine, January 2009, Disc of the Month
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on the whole intelligent music-making from all contributors offers rewarding fresh ideas. —
Awards:
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Presto Recordings of the Year, Finalists 2024
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Sunday Times, 20 Best Classical Albums of 2024
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Special offer. JS Bach: Magnificat & Christmas Cantata 63
Reconstruction of Bach's first Christmas Vespers in Leipzig
Julia Doyle (soprano), Joanne Lunn (soprano), Clare Wilkinson (alto), Nicholas Mulroy (tenor), Matthew Brook (bass)
Dunedin Consort, John Butt
It’s an absolute joy – far too good to keep for Christmas. —
Awards:
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BBC Music Magazine, Choral & Song Choice
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Gramophone Magazine, December 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Baroque Vocal
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Special offer. Bach, J S: St Matthew Passion, BWV244
RecommendedNicholas Mulroy (Evangelist), Matthew Brook (Jesus), Susan Hamilton (Soprano), Cecilia Osmond (Soprano), Clare Wilkinson (Alto), Annie Gill (Alto), Malcolm Bennett (Tenor) & Brian Bannatyne-Scott (Bass)
Dunedin Consort & Players, John Butt
One-to-a-part Bach infiltrated the St Matthew Passion with Paul McCreesh in 2002. I described him then as 'provocative and compelling', and John Butt is no less so. Of his eight remarkable... —
Awards:
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Building a Library, April 2012, First Choice
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BBC Music Magazine, April 2008, Choral & Song Choice
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Special offer. Bach, J S: Christmas Oratorio, BWV248
RecommendedMary Bevan (soprano), Clare Wilkinson (alto), Nicholas Mulroy (tenor), Matthew Brook (bass) - Cantatas 1, 3, 6), Joanne Lunn (soprano), Ciara Hendrick (mezzo), Thomas Hobbs (tenor), Konstantin Wolff (bass) - Cantatas 2, 4, 5.
Dunedin Consort, John Butt
It has the same sense of freshness as previous releases…[with] a pleasing transparency of texture, and nimbly sprung rhythms under John Butt’s scholarly direction —
Awards:
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Presto Recording of the Week, 2nd December 2016
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Presto Recordings of the Year, Finalist 2016
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Special offer. Monteverdi: Vespro della beata Vergine (1610)
RecommendedDunedin Consort, His Majestys Sagbutts & Cornetts, John Butt
[Butt’s] flexible approach to the vexed question of the proportional speeds between duple and triple sections produces some surprisingly languid effects…but a dance-like vitality elsewhere…using... —
Awards:
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Presto Recordings of the Year, Finalist 2017
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